Simon Kessler is a psychologist high up in the human resources department of the Paris branch of the German company chemical company SC Farb. Kessler’s boss gives him what must be an intimidating job, though he never shows any hesitation. He needs to investigate the Read More …
In 1974, Mohsen Makhmalbaf stabbed a young police officer while attempting to steal his gun. Makhmalbaf was only seventeen at the time but had already been actively involved for a number of years in organized resistance to the Shah’s government. He served four-and-a-half years of Read More …
Steely with conviction, luminous with wisdom and wit, Fred Zinnemann’s impeccable film of Robert Bolt’s play about the life of Thomas More explores what defines a man, or what is left to a man who has no defining center that cannot be bought or coerced. Successful, Read More …
A romantic triangle is one of the most common storylines in film. The characters are usually pretty well defined: a well meaning guy with a raging libido, a gorgeous woman with loose morals, and a sweet sensible girl pining for a husband. And of course, Read More …
“There are moments when the social world seems more evident in an object or a gesture than in the whole concatenation of our beliefs and institutions.” In this quote, anthropologist David MacDougall encapsulates the ambition of observational cinema with perfect precision. “Through our senses we Read More …
Appreciation coming. Directed by: Maurice Cloche Produced by: Viscount George de la Grandiere André Halley des Fontaines André Lejard Georges Maurer Written by: Jean Anouilh Jean Bernard-Luc Music by: Jean-Jacques Grünenwald Jean Dalve Cinematography by: Claude Renoir Editing by: Jean Feyte Release Date: 1947 Running Read More …
Marc Rothemund’s fact-based Sophie Scholl: The Final Days is a riveting portrait of a young woman of formidable intellect, dogged self-possession, and excruciatingly steady nerves. At 21, Sophia Magdalena Scholl (Julia Jentsch) is old enough to have outgrown the brash overconfidence of immaturity, but not too old Read More …
For many years I had taped to my office door a copy of Syd Harris’s famous cartoon in which two academics perused a chalkboard with a sea of figures making a complex mathematical formula. Embedded in the middle was the notation “Then a Miracle Occurs.” Modernists don’t Read More …
Bark Cooper, one of the two elderly protagonists of Leo McCarey’s MAKE WAY FOR TOMORROW (1937), boasts of one and only one accomplishment in his life. When he was a young man, Bark won the heart of his wife Lucy over a rival who became Read More …
“No one is born to be a failure. No one is poor who has friends.” These platitudes, plastered across the packaging of home-video editions of Frank Capra’s evergreen Christmas classic, embody the film’s popular but misleading image as sentimental, schmaltzy “Capra-corn.” Yet the film itself Read More …