Annette

Art influences life and life influences art. In other words, our entertainment shapes the way we view the world, and the world shapes the type of entertainment that is made. On its surface, Annette is a toxic love story between offensive comedian Henry McHenry (a terrifying Adam Driver) and world-renowned soprano Ann Desfranoux (a sublime Marion Cotillard). However, this toxic relationship exposes the mechanics behind opera, comedy, and musicals through the simple lyrics, blurring the line between fantasy and reality, and the fame (or infamy) each character achieves.

With each performance within the film, director Leos Carax draws attention to the way the audience reacts and asks what they take away from each character’s performance and persona. On a larger level, as scenes blur from performance to dream to studio, he is asking the same question of the art and performances that we have enjoyed throughout the past couple of centuries. How have these artworks shaped our own views, and how have our views influenced the art we create? How does our art treat the most vulnerable? Who does our art celebrate? And most strikingly, who does our art give voice to? — Evan Cogswell

Arts & Faith Lists:
2021 Ecumenical Jury

Similar Posts

  • Dune

    In Luke 4:5-6, the devil tempts Jesus by showing “him all the kingdoms of the world in a moment in time” and tells him, “To you I will give all this authority and their glory, for it has been delivered to me, and I give it to whom I will.” Imagine, if you will, that…

  • The Green Knight

    In 2017, when IMAGE Journal still owned and operated the Arts & Faith website, its film issue came with a photo from David Lowery’s A Ghost Story on the cover. Like The Green Knight, that film polarized Arts & Faith members. Lowery’s quiet films are not exactly non-narrative, but they do show far more than…

  • West Side Story (2021)

    Steven Spielberg’s adaptation of West Side Story begins with what looks like a shot from the director’s 1998 film Saving Private Ryan. The camera hovers over a crumbling city, swooping past a wrecking ball as it haunts the remains of a once bustling neighborhood. Eventually, audiences meet the Jets and the Sharks—rival gangs of different…

  • A Hero

    Why are the films of Asghar Farhadi, the foremost chronicler of his Muslim country, especially recommended to Christian viewers? Perhaps one reason is that Farhadi doesn’t shy away from illustrating the gaps between the principles and values that inform the culture and its citizens and their actual practice. This feature of his films feels all…

  • Pig

    When a radical act of mercy and forgiveness serves as the climax of a film, the love it has for all its characters is apparent. When that act references Babette’s Feast, Chef, and Ratatouille, the love extends not only to the characters but to our enemies, our vocations, and our pets. Pig is a film…