Stalker

Stalker

Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city lives the Stalker, a man called to guide people into the mysterious region known as the Zone.

The Zone is Stalker’s second world, shot in color and populated with the sounds of animals. It is the result of an unexplained alien encounter that occurred some twenty years prior to the action of Stalker. At the center of the Zone is a room that, when you enter it, will grant your deepest wish.

The Stalker leads two men, a professor and an author, first on an illegal escape from the city, and then through the complicated, capricious series of traps guarding the room. He tells them: “It lets those pass who have lost all hope; not good or bad, but wretched people.”

Stalker incorporates a number of Scriptural allusions on their journey, including a recitation of the Emmaus Road story and a character donning a crown of thorns. The film’s climax, too, is an extended dialogue on the struggle between proof and belief.

Along with its science fiction elements, Stalker is also a family drama. At the beginning of the film, the Stalker’s wife pleads with him not to undertake another journey to the Zone, for his sake—he has been imprisoned for previous trips—as well as for their invalid daughter, incongruously named Monkey (whom barely knows him). Even though he does not listen and leads the professor and author into the Zone, they are there for him when he returns, and it is from the Stalker’s wife and daughter that the film’s two strongest notes of grace come at the very end of the film.

—Tyler Petty, from his blog Faces Unveiled.

  1. Directed by: Andrei Tarkovsky
  2. Produced by: Aleksandra Demidova
  3. Written by: Arkadiy Strugatskiy Boris Strugatskiy Andrei Tarkovsky
  4. Music by: Eduard Artemev
  5. Cinematography by: Aleksandr Knyazhinskiy
  6. Editing by: Lyudmila Feyginova
  7. Release Date: 1979
  8. Running Time: 162
  9. Language: Russian

Arts & Faith Lists:

2005 Top 100 — #12

2006 Top 100 — #22

2010 Top 100 — #30

2011 Top 100 — #15

Similar Posts

  • The Apostle

    A sensitive cultural ethnography of the exotic, much-maligned world of Southern Pentecostalism; a complex study of a character whose many contradictions startlingly combine sacred and profane dimensions; a spiritual exploration of the inscrutable workings of guilt and grace: The Apostle—long labored over by writer, director, producer, and star Robert Duvall—is all of these.   Duvall’s film contemplates…

  • The Work

    There is a moment in The Work when a man utters a sound that I’ve never heard emerge from another human being. It is a cry of both anguish and relief, as if a levee has broken after a lifetime of repressed emotions, and the flood waters are finally free. It is the crack of a soul…

  • Uncle Boonmee Who Can Recall His Past Lives

    From the start of his feature debut, 2000’s shaggy-dog tale documentary, Mysterious Object at Noon, where the truck-mounted loudspeaker advertisement urges the public to use a particular brand of incense “whenever you want to worship the Buddha…”, the films of Apichatpong Weerasethakul (or Joe, to call him by his nickname as is customary among Thai people)…

  • The Mission

    The Mission confronts us with deeply spiritual questions: ·         What are we to make of the fact that the European missionaries often served as the vanguard of colonialism yet also became the staunchest defenders of the colonized against colonial plunder and oppression? ·         To what extent will or should conversion to Christianity change a person, or a whole…

  • Summer Hours

    As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made,…