Black Narcissus

Black Narcissus

This classic, brilliantly colorful film from Michael Powell and Emeric Pressberger follows five nuns, led by Sister Clodagh, into the Himalayas to start a hospital and school for the local villagers. The battle against the elements and the local culture proves to be a formidable one, though Sister Clodagh’s most difficult tasks comes from within—through the envious Sister Ruth and Clodagh’s own struggle with her calling and commitment.  

The film’s location plays an integral role in the overall thematic arc as a battle between competing worlds. Clodagh struggles to reconcile her pastoral memory of the past with the stony heights of her present. The nuns struggle to bring their English Christianity to bear on the lives of the Himalayan villagers. Powell and Pressberger’s stunning use of color helps to underline these dualities, providing a consistent stream of beautiful images both natural and unnatural, lush and rough, pitting worlds against one another in a visual sense. These formal elements serve as fine complements to the narrative of the film, which follows the nuns as they navigate their way between their competing worlds.  

Beyond the exploration of these opposing realms, the film also serves as a meditation on the Incarnation, particularly in the notion of Christ’s descent from heaven to earth, His taking on of human flesh, and His service among humanity. The crucifix finds its way into shots repeatedly—appropriate for a nunnery to be sure, but also drawing the viewer to reflect on the intersection of this narrative with the life of Jesus. Black Narcissus is no allegory, but its theological echoes are undeniable. 

—John Adair

  1. Directed by: Michael Powell Emeric Pressburger
  2. Produced by: Michael Powell Emeric Pressburger George R. Busby
  3. Written by: Michael Powell Emeric Pressburger Rumer Godden
  4. Music by: Brian Easdale
  5. Cinematography by: Jack Cardiff
  6. Editing by: Reginald Mills
  7. Release Date: 1947
  8. Running Time: 101
  9. Language: English

Arts & Faith Lists:

2010 Top 100 — #77

2011 Top 100 — #44

Similar Posts

  • M

    Fritz Lang and Peter Lorre accomplish a remarkable feat in M (1931). They humanize child murderer Hans Beckert. Suspenseful, drenched in tragedy, M brings the audience through Beckert’s harrowing final days as he evades both police and the criminal underground. Beckert’s frantic efforts to escape the tightening noose echo his attempts to overcome his compulsion. A scratched and worn…

  • The Music Room

    Appreciation coming.  Directed by: Satyajit Ray Produced by: Satyajit Ray Written by: Tarashankar Banerjee Satyajit Ray Santi P. Choudhury Music by: Ustad Vilayat Khan Robin Majumdar Cinematography by: Subrata Mitra Editing by: Dulal Dutta Release Date: 1958 Running Time: 95 Language: Bengali, English Arts & Faith Lists: 2020 Top 100 — #50

  • The Burmese Harp

    Kon Ichikawa’s deeply humane, spiritually resonant masterpiece is routinely but reductionistically described as “pacifist” or “anti-war.” War, though, is the occasion for the central theme, not the theme itself, which is nothing less than the intractable mystery of suffering and evil, affirmation of spiritual values, and the challenge to live humanely in evil circumstances. Adapted…

  • The Child

    After four consecutive “masterpieces,” what did the Dardenne brothers do? Make another movie every bit as good as those. Like La Promesse, Rosetta, and The Son, The Child (L’Enfant) is a subtle parable about tests of conscience and character in a punishing world. We’re introduced to Bruno (the extraordinary Jérémie Renier). He’s young, but he’s already a hardened criminal….

  • |

    Monsieur Vincent

    Appreciation coming. Directed by: Maurice Cloche Produced by: Viscount George de la Grandiere André Halley des Fontaines André Lejard Georges Maurer Written by: Jean Anouilh Jean Bernard-Luc Music by: Jean-Jacques Grünenwald Jean Dalve Cinematography by: Claude Renoir Editing by: Jean Feyte Release Date: 1947 Running Time: 111 Language: French Arts & Faith Lists: 2016 Top…

  • After Life

    Hirokazu Koreeda is a director seemingly preoccupied with death: his films Maborosi, Hana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films showed what happens to the living after someone they know…