After Life

After Life

Hirokazu Koreeda is a director seemingly preoccupied with death: his films MaborosiHana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films showed what happens to the living after someone they know dies, After Life, as its title suggests, imagines what might happen to those who have died.

After Life is set in a kind of halfway house for the dead. In the film, the dead arrive at a school-like building where they will prepare themselves for eternity. When they arrive, the dead are told they have one week to select a memory from their lives in which they will live forever. Once they have selected their memory, the staff of the house work with them to produce a film that will capture their eternal moment. After they leave the house, we learn, everything else about who each person was will fade away, leaving only that singular moment.

The scenes of the varied inhabitants of the halfway house, ranging from a rebellious teenager to a World War Two veteran, recalling their lives feel almost improvised, as if Koreeda were making a documentary of the afterlife. And in a way, he was. Roger Ebert’s review of the film notes that “Some of these people, and some of their memories, are real (we are not told which). Koreeda filmed hundreds of interviews with ordinary people in Japan. The faces on the screen are so alive, the characters seems to be recalling events they really lived through, in a world of simplicity and wonder.”

While the way After Life moves from one character’s memories to the next gives the film an episodic feel, there is more than just a series of individual stories at work. Koreeda slowly reveals poignant connections between the characters in the film, and also what happens to those who are unable, or who refuse, to choose a memory for themselves.

—Tyler Petty, from his blog Faces Unveiled. (2011)

  1. Directed by: Hirokazu Koreeda
  2. Produced by: Masayuki Akieda Shiho Sato Yutaka Shigenobu
  3. Written by: Hirokazu Koreeda
  4. Music by: Yasuhiro Kasamatsu
  5. Cinematography by: Masayoshi Sukita Yutaka Yamazaki
  6. Editing by: Hirokazu Koreeda
  7. Release Date: 1998
  8. Running Time: 119
  9. Language: Japanese

Arts & Faith Lists:

2006 Top 100 — #34

2010 Top 100 — #65

2011 Top 100 — #85

2020 Top 100 — #75

Similar Posts

  • Summer Hours

    As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made,…

  • Cave of Forgotten Dreams

    On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier.  Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, across a career spanning almost 60 years, are suffused with…

  • To Sleep With Anger

    Review coming. Directed by: Charles Burnett Produced by: Thomas S. Byrnes Caldecot Chubb Michael Flynn Danny Glover Linda Koulisis Edward R. Pressman Darin Scott Ron Stacker Thompson Harris Tulchin Written by: Charles Burnett Music by: Stephen James Taylor Cinematography by: Walt Lloyd Editing by: Nancy Richardson Release Date: 1990 Running Time: 102 Language: English Arts…

  • Au hasard Balthazar

    With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…

  • The Mill and the Cross

    Appreciation coming.  Directed by: Lech Majewski Produced by: Lech Majewski Written by: Michael Francis Gibson Lech Majewski Music by: Lech Majewski Józef Skrzek Cinematography by: Lech Majewski Adam Sikora Editing by: Lech Majewski Norbert Rudzik Release Date: 2011 Running Time: 92 Language: English, Spanish, Flemis Arts & Faith Lists: 2020 Top 100 — #60

  • Rashômon

    Taking shelter from a torrential rainstorm in a demon-haunted temple, two men struggle to comprehend the story of a murder. They have witnessed crimes before, but something about this one has left them shell-shocked. One of them laments, “This time, I may finally lose my faith in the human soul.”   What follows in Akira Kurosawa’s Rashomon is…