Appreciation coming.
Arts & Faith Lists:
2020 Top 100 — #58
There is a moment in The Work when a man utters a sound that I’ve never heard emerge from another human being. It is a cry of both anguish and relief, as if a levee has broken after a lifetime of repressed emotions, and the flood waters are finally free. It is the crack of a soul…
The most famous line in The Red Shoes is probably an early exchange between Boris Lermontov (Anton Walbrook) and Victoria Page (Moira Shearer). The director of a prestigious ballet company asks the aspiring ballerina why she wants to dance. Her reply: “Why do you want to live?” The answer impresses Lermontov enough to earn her a small…
“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for people who think David Lynch is too normal—and through flashback…
A romantic triangle is one of the most common storylines in film. The characters are usually pretty well defined: a well meaning guy with a raging libido, a gorgeous woman with loose morals, and a sweet sensible girl pining for a husband. And of course, there is sex. But what if a film replaces this…
John Steinbeck’s 1939 novel The Grapes of Wrath opens with a view of the “scarred earth,” then lifts its eyes to consider the scarred people that lived on that earth. It finds these people staggering through the Dust Bowl storms that struck the Southern U.S. in the 1930’s. This early passage from the novel seems to lay bare the…
Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city lives the Stalker, a man called to guide people into…