Dead Man Walking

The Mission confronts us with deeply spiritual questions: ·         What are we to make of the fact that the European missionaries often served as the vanguard of colonialism yet also became the staunchest defenders of the colonized against colonial plunder and oppression? ·         To what extent will or should conversion to Christianity change a person, or a whole…

The most famous line in The Red Shoes is probably an early exchange between Boris Lermontov (Anton Walbrook) and Victoria Page (Moira Shearer). The director of a prestigious ballet company asks the aspiring ballerina why she wants to dance. Her reply: “Why do you want to live?” The answer impresses Lermontov enough to earn her a small…

Appreciation coming. Directed by: Ermanno Olmi Produced by: Written by: Ermanno Olmi Music by: Cinematography by: Ermanno Olmi Editing by: Ermanno Olmi Release Date: 1978 Running Time: 196 Language: Italian Arts & Faith Lists: 2020 Top 100 — #36

A useful starting point when approaching Friedrich Wilhelm (F. W.) Murnau’s Faust is Rembrandt’s 1652 etching of the same name. In it, we see Faust alone in his library, poring through parchments, surrounded on all sides by scientific paraphernalia. But Rembrandt pays little attention to the things in the room and, instead, directs our focus toward Faust’s desperate…

Appreciation coming.  Directed by: Jean-Luc Godard Produced by: Alain Sarde Ruth Waldburger Written by: Jean-Luc Godard Music by: Cinematography by: Julien Hirsch Christophe Pollock Editing by: Raphaele Urtin Release Date: 2001 Running Time: 97 Language: French Arts & Faith Lists: 2010 Top 100 — #94 2020 Top 100 — #69

There is little, if any, historical accuracy in Amadeus. The portrayal of Mozart (Tom Hulce) as vulgar libertine is certainly based in much historical fact, but as seen through the eyes of Antonio Salieri (F. Murray Abraham), the film’s antihero protagonist and unreliable narrator, even the extent of the genius’ crassness can be called into question….