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  • Blade Runner

    Rick Deckard: She’s a replicant, isn’t she?Dr. Eldon Tyrell: I’m impressed. How many questions does it usually take to spot one?Deckard: I don’t get it, Tyrell.Tyrell: How many questions?Deckard: Thirty, forty, cross-referenced.Tyrell: It took more than a hundred for Rachael, didn’t it?Deckard: She doesn’t know.Tyrell: She’s beginning to suspect, I think.Deckard: Suspect? How can it…

  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…

  • Paris, Texas

    Travis Henderson (Harry Dean Stanton) has been wandering in the desert for some four years at the beginning of Paris, Texas, and it shows. His suit is so begrimed with dust that it’s hard to tell what color it originally was, and in his eyes is the look of a man who does not know where…

  • Cave of Forgotten Dreams

    On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier.  Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, across a career spanning almost 60 years, are suffused with…

  • The Apu Trilogy

    Between 1955 and 1991, Indian director Satyajit Ray made more than thirty feature films, but he’s best remembered in the West for the “Apu trilogy,” which launched his career. Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959) are based on the novels of Bibhutibhushan Bandyopadhya and follow their hero, Apu, from his impoverished childhood in a small Bengali village through…