Appreciation coming.
Arts & Faith Lists:
2010 Top 100 — #94
2020 Top 100 — #69
Places in the Heart (1984), written and directed by Robert Benton, won two Academy Awards—Best Original Screenplay and Best Actress for Sally Field. The film also received nominations for Best Film, Best Director, Best Supporting Actress (Lindsay Crouse), Best Supporting Actor (John Malkovich), and Best Costume Design. Considering the flashy blockbusters that often win big prizes…
Set on the border between Mexico and America, Orson Welles’ Touch of Evil tells the tale of a murder investigation that pits two determined men against one another: Miguel Vargas, an official in the Mexican government, and Hank Quinlan, an American police captain. Vargas is an articulate, young, handsome, wealthy, educated, straight-shooter with a bright…
From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other that craftsmanship or artistry. Sight & Sound’s critics’ survey of the Top 100 Films of all…
To witness The Passion of Joan of Arc is to glimpse the soul of a saint in her hour of trial. The film is more than a dramatization, more than a biopic, more than a documentary: It is a spiritual portrait, almost a mystical portrait, of a Christ-like soul sharing in the sufferings of Christ. At the…
In Close-Up, Abbas Kiarostami retells the true story of the trial of Hossein Sabzian who fraudulently convinced a family that he was the famous film director, Mohsen Makhmalbaf. The entire incident comes about in a seemingly innocent way; however, the moral struggle surrounding the deception involves a complex wrestling with themes of identity, belonging, forgiveness and repentance. Sabzian is arrested, imprisoned,…
L’Avventura (1960) has long been known as the first feature in Michelangelo Antonioni’s “alienation” trilogy, which includes La Notte (1961) and L’Eclisse (1962). Yet the term “alienation” is too simple and too succinct a descriptor; this film is about emotional, social, and spiritual enervation, about something nightmarish. The inhabitants of Antonioni’s post-industrial, post-war West are profoundly sick, dysfunctional, wayward, and…