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  • The Phantom Carriage

    In The Phantom Carriage, director Victor Sjöström plays David Holm, a heartless unrepentant rascal who receives two summons one New Year’s midnight. The first is from a dying nun who showed him the most undeserved act of mercy he ever received; the second is from the phantom who drives Death’s titular carriage. As the film shows…

  • Winter Light

    John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…

  • Secrets & Lies

    “You gotta laugh, ain’t ya sweetheart? Else you’d cry.” This observation from working-class Londoner Cynthia Rose Purley (Brenda Blethyn) is a perfect summary of the tone running through Mike Leigh’s Palme d’Or-winning melodramatic masterpiece. A slice-of-life portrayal of broken individuals navigating the complexity of their familial ties, Secrets & Lies perfectly captures the quiet intensity of ordinary suffering. Both comic…

  • The House is Black

    “There are moments when the social world seems more evident in an object or a gesture than in the whole concatenation of our beliefs and institutions.” In this quote, anthropologist David MacDougall encapsulates the ambition of observational cinema with perfect precision. “Through our senses we measure the qualities of our surroundings—the tempo of life, the…