7th Heaven

7th Heaven

Director Frank Borzage first transports us to a dark, ugly, seedy world of poverty and inequality in Paris. The pre-code masterpiece deals with the later-taboo topics of abuse, prostitution and atheism. The Hayes’ Code was designed to present and protect “moral decency” on film. But by showing some of the realities of life that the Hayes’ Code prohibited, 7th Heaven provides a beautiful picture of what moral decency can actually be.

Chico calls himself an atheist in one breath but blames God for his troubles in the next. He is arrogant, angry because “Bon Dieu” doesn’t give him everything he thinks he deserves, constantly reminding God that he’s a “very remarkable person.” But out of that arrogance, Chico asks the biggest question that all people people of faith struggle with, even though he doesn’t always consider himself to be a person of faith. By addressing God as “Bon Dieu,” he claims that God is good and asks the age-old-question: How can a good God let bad things happen to good people?

The movie never attempts to answer that question. Instead, it shows us how different people wrestle with the predicament in very different ways and how they grow more by asking the question than by any attempt to answer it. We see the struggle through the eyes of several characters. The story’s most important way of asking this question comes in the form of a romance. Chico is not as remarkable as he tells everyone he is, but he does do one remarkable thing. He rescues Diane, his eventual wife, from her abusive sister and from a situation that would have forced her into prostitution. The rest of the movie shows how Diane continually rescues Chico as they struggle with that spiritual question collectively and pursue their “7th heaven,” which is the ideal of God’s goodness reflected in the love of people for each other.

– Ed Bertram

  1. Directed by: Frank Borzage
  2. Produced by: William Fox Sol M. Wurtzel
  3. Written by: Austin Strong Benjamin Glazer Katherine Hilliker H. H. Caldwell Bernard Vorhaus
  4. Music by: William P. Perry Erno Rapee
  5. Cinematography by: Ernest Palmer Joseph A. Valentine
  6. Editing by:Barney Wolf
  7. Release Date: 1927
  8. Running Time: 110
  9. Language: Silent

Arts & Faith Lists:

2020 Top 100 — #83

Similar Posts

  • To Sleep With Anger

    Review coming. Directed by: Charles Burnett Produced by: Thomas S. Byrnes Caldecot Chubb Michael Flynn Danny Glover Linda Koulisis Edward R. Pressman Darin Scott Ron Stacker Thompson Harris Tulchin Written by: Charles Burnett Music by: Stephen James Taylor Cinematography by: Walt Lloyd Editing by: Nancy Richardson Release Date: 1990 Running Time: 102 Language: English Arts…

  • Tokyo Story

    Until very late in Yasujiro Ozu’s film Tokyo Story, there is no crisis more dramatic than some uncomfortable silences. So what is it that makes this film one of the most revered dramas ever crafted? It’s the simplest of stories: An elderly couple—Shukichi and Tomi—drop in on their adult children in Tokyo, only to find that…

  • Apocalypse Now

    Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up as a god, deep in the jungles of Cambodia. These…

  • Dekalog

    “What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t answer Kieslowski’s questions either. What it does is pose them…

  • Paths of Glory

    Classifying Paths of Glory as an anti-war film is the result of lazy thinking. Shot in simple black-and-white in 1957, this is the film that put director Stanley Kubrick on the map, and there’s a very good reason why. While loosely based on a true story referred to as the “Corporals of Souain” during World War I…