Silent Light

Silent Light

“All creation groans” in the unforgettable, long shots that open and close Carlos Reygadas’ remarkable film. It’s hard to believe this movie was released in 2008—it has a quality that will make it a major event for film students for many decades to come.  
 
It’s set in a Mexican community of Old Order Mennonites, where Johan, an unfaithful husband, tries to rationalize his infidelity—with devastating consequences. Arguing that his attraction to an ice-cream-selling woman named Mariane was given to him by God, he brazenly offends his father and the religious order, breaking his wife’s heart. 
 
The movie’s a marriage of the religious exploration of Carl Dreyer’s Ordet and the metaphors of the natural world in Terrence Malick’s The New World. Some may find it overbearing in its stiff formality. But many are left breathless by the radiant cinematography and the film’s climactic affirmation of fidelity and faith. In Books and Culture, Roy Anker wrote: “Reygadas displays the whole of his tale within an effulgent, circumambient radiance whose quiet majesty seems to bestow meaningfulness of some kind on all that happens. Call it, if you wish, the loving eye of God, which goes everywhere, attending and transfiguring, even into dankest corners of woe and evil.”  

—Jeffrey Overstreet (2011)

  1. Directed by: Carlos Reygadas
  2. Produced by:
  3. Written by: Carlos Reygadas
  4. Music by:
  5. Cinematography by: Alexis Zabe
  6. Editing by: Natalia López
  7. Release Date: 2007
  8. Running Time: 136
  9. Language: German, Spanish, French, English

Arts & Faith Lists:

2010 Top 100 — #43

2011 Top 100 — #66

2020 Top 100 — #84

Similar Posts

  • Three Colors Trilogy

    The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots overlap only slightly. Watch closely, and you’ll see the different…

  • The Apostle

    A sensitive cultural ethnography of the exotic, much-maligned world of Southern Pentecostalism; a complex study of a character whose many contradictions startlingly combine sacred and profane dimensions; a spiritual exploration of the inscrutable workings of guilt and grace: The Apostle—long labored over by writer, director, producer, and star Robert Duvall—is all of these.   Duvall’s film contemplates…

  • Lourdes

    A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to take that away from Jessica Hausner’s Lourdes, I think what’s more…

  • In a Lonely Place

    In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic experiments in the 1960s. Like Godard (who was deeply influenced…

  • Dekalog

    “What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t answer Kieslowski’s questions either. What it does is pose them…