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  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…

  • Stop Making Sense

    Jonathan Demme’s 1984 concert film, Stop Making Sense, begins simple enough. Talking Heads front man David Byrne walks onto a bare stage and places a boombox on the ground. “Hi, I got a tape I wanna play you,” he quips. Byrne turns on the stereo and the musician’s acoustic guitar soon melds to a tight backing…

  • Winter Light

    John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…

  • The Grapes of Wrath

    John Steinbeck’s 1939 novel The Grapes of Wrath opens with a view of the “scarred earth,” then lifts its eyes to consider the scarred people that lived on that earth.  It finds these people staggering through the Dust Bowl storms that struck the Southern U.S. in the 1930’s.  This early passage from the novel seems to lay bare the…

  • A Moment of Innocence

    In 1974, Mohsen Makhmalbaf stabbed a young police officer while attempting to steal his gun. Makhmalbaf was only seventeen at the time but had already been actively involved for a number of years in organized resistance to the Shah’s government. He served four-and-a-half years of his sentence before being released in 1979, soon after the…