Appreciation coming from Darren Hughes.
Arts & Faith Lists:
2020 Top 100 — #43
The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots overlap only slightly. Watch closely, and you’ll see the different…
“What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t answer Kieslowski’s questions either. What it does is pose them…
Few political issues reveal the divisions among people who claim to be religious or spiritual more than does the death penalty. Like Dead Man Walking, the other great death penalty film on this list, At the Death House Door, argues passionately that the death penalty traumatizes those who are called to enact it. Like soldiers drafted into…
— Review Coming Directed by: Joshua Oppenheimer Anonymous Christine Cynn Produced by: Anne Köhncke Signe Byrge Sørensen Michael Uwemedimo Written by: Music by: Cinematography by: Anonymous Carlos Arango de Montis Lars Skree Editing by: Release Date: 2012 Running Time: 117 Language: Indonesian, English Arts & Faith Lists: 2020 Top 100 — #73
Drawing upon a semi-autobiographical novel of the same name, Isao Takahata’s animated masterwork Grave of the Fireflies tells the story of two orphans caught in the middle of the firebombing that decimated the cities of Japan in the final months of World War Two. Seita is in many ways an ideal big brother, adoring and protecting his…
“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for people who think David Lynch is too normal—and through flashback…