The New World

The New World

Terrence Malick’s 2005 epic poem about the European settlement of Jamestown, the ensuing battles with furious natives, and a legendary cross-cultural love affair depicts the dangers of ambition and the necessity of conscience. With the help of cinematographer Emmanuel Lubezki (Children of Men), Malick captures a sense of the unspoiled beauty that once welcomed pilgrims to this “promised land.”

That beauty seems to speak directly and eloquently to the hearts of the central characters, the surly explorer John Smith (Colin Farrell) and the beautiful young native Rebecca (Q’orianka Kilcher). “What voice is this that speaks within me, guides me towards the best?” asks Smith as he helps his fellow settlers make a start. Enthralled, he has stumbled into love with the natives’ beguiling princess. They bring out the best in each other for a while, their trust expanding to unite the European newcomers and the wary natives. Rebecca thinks Smith is “a god.” He thinks her a treasure.

When war breaks out between the untrustworthy English and the panicking Indians, threatening to break this unlikely bond, Smith must fight to survive not only the natives’ attacks but also the betrayals of his own people. But there are other treasures calling this explorer. In time, Rebecca’s heart becomes painfully torn between the ambitious adventurer and a humbler man, a tobacco farmer named John Rolfe (Christian Bale) who promises faithfulness and love. Malick’s movie becomes a hymn to the spirit that moves through the natural world, whispering to us in mystery and metaphor about faithfulness, sustenance, and endurance through hardship and change.

—Jeffrey Overstreet

  1. Directed by: Terrence Malick
  2. Produced by:
  3. Written by: Terrence Malick
  4. Music by: James Horner
  5. Cinematography by: Emmanuel Lubezki
  6. Editing by:
  7. Release Date: 2005
  8. Running Time: 135
  9. Language: English, Algonquin

Arts & Faith Lists:

2010 Top 100 — #96

2011 Top 100 — #53

Similar Posts

  • The Music Room

    Appreciation coming.  Directed by: Satyajit Ray Produced by: Satyajit Ray Written by: Tarashankar Banerjee Satyajit Ray Santi P. Choudhury Music by: Ustad Vilayat Khan Robin Majumdar Cinematography by: Subrata Mitra Editing by: Dulal Dutta Release Date: 1958 Running Time: 95 Language: Bengali, English Arts & Faith Lists: 2020 Top 100 — #50

  • L’Avventura

    L’Avventura (1960) has long been known as the first feature in Michelangelo Antonioni’s “alienation” trilogy, which includes La Notte (1961) and L’Eclisse (1962). Yet the term “alienation” is too simple and too succinct a descriptor; this film is about emotional, social, and spiritual enervation, about something nightmarish. The inhabitants of Antonioni’s post-industrial, post-war West are profoundly sick, dysfunctional, wayward, and…

  • The Grand Illusion

    As we discuss what makes a film spiritually significant, the concepts of truth and beauty are often at the center of our conversations. Jean Renoir’s Grand Illusion is not just a film that presents truth and beauty; it is about truth and beauty. The film appears to argue that truth is absolute but so complex that it…

  • The Return

    Andrey Zvyagintsev’s celebrated feature-length debut is a story about two brothers who must decide whether to trust the stranger who suddenly arrives in their home claiming to be their father. As the sons argue about how to respond, they follow this stranger out on what they believe will be a fishing trip. It becomes something…

  • Secret Sunshine

    Appreciation coming.  Directed by: Chang-dong Lee Produced by: Lee Hanna In Soo Kim Written by: Chang-dong Lee Chung-Joon Lee Music by: Christian Basso Cinematography by: Yong-kyou Cho Editing by: Hyun Kim Release Date: 2007 Running Time: 142 Language: Korean Arts & Faith Lists: 2020 Top 100 — #67

  • M

    Fritz Lang and Peter Lorre accomplish a remarkable feat in M (1931). They humanize child murderer Hans Beckert. Suspenseful, drenched in tragedy, M brings the audience through Beckert’s harrowing final days as he evades both police and the criminal underground. Beckert’s frantic efforts to escape the tightening noose echo his attempts to overcome his compulsion. A scratched and worn…