Ushpizin

Ushpizin

This Israeli-made film, the first collaborative effort between Israel’s religious and secular communities, is a small gem of a film. This film takes us into a world we haven’t seen before on film, inside an Orthodox Jewish neighborhood in Jerusalem.  
Here a married couple, Moshe and Mali, are preparing for the Jewish harvest holiday of Succoth. However, though they are religiously devout and devoted to each other, they are impoverished and in need of some miracles. First, they need money to purchase a “sukkot,” which is a temporary dwelling place in which tradition dictates that Jews are to live during the Succoth holiday, in order to learn to depend on God’s provision. Then, they are to receive guests (ushpizin) to practice the charity of hospitality, but this couple has no one to share their sukkot with. Finally, they are praying for the miracle of a child.

Then, their prayers begin to be answered: Moshe is given an unexpected monetary gift, a friend gives Moshe a sukkot that he claims has been abandoned, and two visitors arrive out of the blue, one of them an old friend of Moshe. But what Moshe and his wife see as blessing, quickly turns into trials: the circumstances under which he received the sukkot are called into question, and the visitors, unbeknownst to Moshe or his wife, are actually escaped convicts. These uzpishin test Moshe’s memories of his pre-religious past, his patience, his marriage, his relationships with his strictly religious neighbors, and his faith itself. Finally Moshe is forced to cry out to God, and God answers in an unexpected way.

The film does an excellent job of portraying the beauty of the Jewish faith: the kind support of rabbis, the strength of religious devotion, and the wonders of a shared meal; while it doesn’t shy away from portraying the issues of living in a closed isolated community. The film shows the mysteries of grace: unexpected favor to those who don’t deserve it. And when you least expect it, miracles can occur as well. 

—Jim Sanders (2011)

  1. Directed by: Giddi Dar
  2. Produced by: Giddi Dar Rafi Bukai
  3. Written by: Shuli Rand
  4. Music by: NathanielMechaly
  5. Cinematography by: Amit Yasur
  6. Editing by: Nadav Harel Isaac Sehayek
  7. Release Date: 2004
  8. Running Time: 90
  9. Language: Hebrew, Yiddish

Arts & Faith Lists:

2010 Top 100 — #89

2020 Top 100 — #88

Similar Posts

  • Tender Mercies

    Though set in Texas, Tender Mercies is a poignant reflection on experiences and challenges that are universal. It moves unhurriedly through the struggle of a middle-aged man to understand why, even after he seemingly made every effort to ruin his life, God still blessed him. His struggle, like the movie itself, isn’t always pretty or smooth. When…

  • |

    Monsieur Vincent

    Appreciation coming. Directed by: Maurice Cloche Produced by: Viscount George de la Grandiere André Halley des Fontaines André Lejard Georges Maurer Written by: Jean Anouilh Jean Bernard-Luc Music by: Jean-Jacques Grünenwald Jean Dalve Cinematography by: Claude Renoir Editing by: Jean Feyte Release Date: 1947 Running Time: 111 Language: French Arts & Faith Lists: 2016 Top…

  • In a Lonely Place

    In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic experiments in the 1960s. Like Godard (who was deeply influenced…

  • The Act of Killing

    — Review Coming Directed by: Joshua Oppenheimer Anonymous Christine Cynn Produced by: Anne Köhncke Signe Byrge Sørensen Michael Uwemedimo Written by: Music by: Cinematography by: Anonymous Carlos Arango de Montis Lars Skree Editing by: Release Date: 2012 Running Time: 117 Language: Indonesian, English Arts & Faith Lists: 2020 Top 100 — #73

  • The New World

    Terrence Malick’s 2005 epic poem about the European settlement of Jamestown, the ensuing battles with furious natives, and a legendary cross-cultural love affair depicts the dangers of ambition and the necessity of conscience. With the help of cinematographer Emmanuel Lubezki (Children of Men), Malick captures a sense of the unspoiled beauty that once welcomed pilgrims…

  • Close-Up

    In Close-Up, Abbas Kiarostami retells the true story of the trial of Hossein Sabzian who fraudulently convinced a family that he was the famous film director, Mohsen Makhmalbaf. The entire incident comes about in a seemingly innocent way; however, the moral struggle surrounding the deception involves a complex wrestling with themes of identity, belonging, forgiveness and repentance.  Sabzian is arrested, imprisoned,…