Timbuktu

“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for people who think David Lynch is too normal—and through flashback…

We must decide to be human. In the People’s Square, before a great crowd of witnesses and in representing them, we must make the decision to be wholly human. Wim Wenders’ wonderful and dreamlike 1987 fantasy, Der Himmel über Berlin, portrays two angels observing the people of a divided Berlin.   As the camera floats freely…

In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…

Appreciation coming. Directed by: Ermanno Olmi Produced by: Written by: Ermanno Olmi Music by: Cinematography by: Ermanno Olmi Editing by: Ermanno Olmi Release Date: 1978 Running Time: 196 Language: Italian Arts & Faith Lists: 2020 Top 100 — #36

The most famous line in The Red Shoes is probably an early exchange between Boris Lermontov (Anton Walbrook) and Victoria Page (Moira Shearer). The director of a prestigious ballet company asks the aspiring ballerina why she wants to dance. Her reply: “Why do you want to live?” The answer impresses Lermontov enough to earn her a small…

Andrey Zvyagintsev’s celebrated feature-length debut is a story about two brothers who must decide whether to trust the stranger who suddenly arrives in their home claiming to be their father. As the sons argue about how to respond, they follow this stranger out on what they believe will be a fishing trip. It becomes something…