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  • Vivre Sa Vie

    My Life to Live (1961) opens with a series of closeups of Nana (Anna Karina)—her left profile, her face straight on, her right profile, and then, in the first dramatic scene of the film, a two-minute shot of the back of her head, as she breaks up with a boyfriend in a busy Parisian cafe. The…

  • The Music Room

    Appreciation coming.  Directed by: Satyajit Ray Produced by: Satyajit Ray Written by: Tarashankar Banerjee Satyajit Ray Santi P. Choudhury Music by: Ustad Vilayat Khan Robin Majumdar Cinematography by: Subrata Mitra Editing by: Dulal Dutta Release Date: 1958 Running Time: 95 Language: Bengali, English Arts & Faith Lists: 2020 Top 100 — #50

  • After Life

    Hirokazu Koreeda is a director seemingly preoccupied with death: his films Maborosi, Hana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films showed what happens to the living after someone they know…

  • Secret Sunshine

    Appreciation coming.  Directed by: Chang-dong Lee Produced by: Lee Hanna In Soo Kim Written by: Chang-dong Lee Chung-Joon Lee Music by: Christian Basso Cinematography by: Yong-kyou Cho Editing by: Hyun Kim Release Date: 2007 Running Time: 142 Language: Korean Arts & Faith Lists: 2020 Top 100 — #67

  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…