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    On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier.  Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, across a career spanning almost 60 years, are suffused with…

  • Song of Bernadette

    Based on the eponymous historical novel by Jewish author Franz Werfel, Henry King’s beautifully made film stands head and shoulders over most religiously themed fare from Hollywood’s Golden Age. Werfel learned the story of Bernadette Soubirous—an illiterate teenager who in 1858 claimed to see visions of a beautiful lady who was later identified as the…

  • The Burmese Harp

    Kon Ichikawa’s deeply humane, spiritually resonant masterpiece is routinely but reductionistically described as “pacifist” or “anti-war.” War, though, is the occasion for the central theme, not the theme itself, which is nothing less than the intractable mystery of suffering and evil, affirmation of spiritual values, and the challenge to live humanely in evil circumstances. Adapted…

  • A Man for All Seasons

    Steely with conviction, luminous with wisdom and wit, Fred Zinnemann’s impeccable film of Robert Bolt’s play about the life of Thomas More explores what defines a man, or what is left to a man who has no defining center that cannot be bought or coerced. Successful, urbane, gregarious, ridiculously talented and accomplished, Thomas More was the…

  • The Searchers

    John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…