Chariots of Fire

Chariots of Fire

Chariots of Fire, based on the story of British Olympians Harold Abrahams and Eric Liddell, won the Academy Award for Best Picture in 1981. The film stretches the boundaries of both the biopic and sports genres as it presents a series of vignettes from the lives of these two athletes in the years and months leading up to the 1924 Olympic Games in Paris. As an athlete and a Jew, Abrahams strives to find acceptance at Cambridge University while Liddell struggles to reconcile running with the dictates of his Protestant faith. 
 
While a few of the facts surrounding the lives of these two athletes were altered for dramatic effect in the film, the narrative remains true to the historical record. But even as it explores the details of this inspiring story, Chariots of Fire is constantly asking bigger questions. What is the meaning of personal identity, national identity, spiritual identity? 
 
Director Hugh Hudson filmed and edited most of the running sequences to emphasize the internal struggle of the runners rather than the drama of the races themselves. The film’s soundtrack, by Vangelis, is one of the most recognized of all time. These elements, along with strong performances from the cast (which includes an often scene-stealing Ian Holm as a running coach), helped make Chariots of Fire a profound and moving film. 

—Darryl A. Armstrong (2011)

  1. Directed by: Hugh Hudson
  2. Produced by: David Puttnam James Crawford Dodi Fayed
  3. Written by: Colin Welland
  4. Music by: Vangelis
  5. Cinematography by: David Watkin
  6. Editing by: Terry Rawlings
  7. Release Date: 1981
  8. Running Time: 125
  9. Language: English

Arts & Faith Lists:

2005 Top 100 — #21

2006 Top 100 — #37

2010 Top 100 — #69

2011 Top 100 — #37

2020 Top 100 — #61

Similar Posts

  • Rashômon

    Taking shelter from a torrential rainstorm in a demon-haunted temple, two men struggle to comprehend the story of a murder. They have witnessed crimes before, but something about this one has left them shell-shocked. One of them laments, “This time, I may finally lose my faith in the human soul.”   What follows in Akira Kurosawa’s Rashomon is…

  • Spirited Away

    Spirited Away, perhaps Japanese animation master Hayao Miyazaki’s greatest work of art, is the beautiful and engrossing tale of a young girl, Chihiro, who enters a magical world through an abandoned amusement park. Of course, such a summary necessarily fails to do justice to the grand imagination on display in the film. The comparisons to Alice…

  • Paths of Glory

    Classifying Paths of Glory as an anti-war film is the result of lazy thinking. Shot in simple black-and-white in 1957, this is the film that put director Stanley Kubrick on the map, and there’s a very good reason why. While loosely based on a true story referred to as the “Corporals of Souain” during World War I…

  • M

    Fritz Lang and Peter Lorre accomplish a remarkable feat in M (1931). They humanize child murderer Hans Beckert. Suspenseful, drenched in tragedy, M brings the audience through Beckert’s harrowing final days as he evades both police and the criminal underground. Beckert’s frantic efforts to escape the tightening noose echo his attempts to overcome his compulsion. A scratched and worn…