The Best Years of Our Lives

A useful starting point when approaching Friedrich Wilhelm (F. W.) Murnau’s Faust is Rembrandt’s 1652 etching of the same name. In it, we see Faust alone in his library, poring through parchments, surrounded on all sides by scientific paraphernalia. But Rembrandt pays little attention to the things in the room and, instead, directs our focus toward Faust’s desperate…

There is little, if any, historical accuracy in Amadeus. The portrayal of Mozart (Tom Hulce) as vulgar libertine is certainly based in much historical fact, but as seen through the eyes of Antonio Salieri (F. Murray Abraham), the film’s antihero protagonist and unreliable narrator, even the extent of the genius’ crassness can be called into question….

Most everyone has heard of Bicycle Thieves. Even those who have never heard of neorealism. Even those who might not know the name Vittorio De Sica. It is the original film celebrity — famous for being famous. Woody Allen named it one of his five favorite films. Martin Scorsese introduces it for Turner Classic Movies in…

In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic experiments in the 1960s. Like Godard (who was deeply influenced…

Director Frank Borzage first transports us to a dark, ugly, seedy world of poverty and inequality in Paris. The pre-code masterpiece deals with the later-taboo topics of abuse, prostitution and atheism. The Hayes’ Code was designed to present and protect “moral decency” on film. But by showing some of the realities of life that the…