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  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…

  • I Am Not Your Negro

    In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions.  As a cinematic essay, it is an intellectual and emotional argument so persuasive, it…

  • Tokyo Story

    Until very late in Yasujiro Ozu’s film Tokyo Story, there is no crisis more dramatic than some uncomfortable silences. So what is it that makes this film one of the most revered dramas ever crafted? It’s the simplest of stories: An elderly couple—Shukichi and Tomi—drop in on their adult children in Tokyo, only to find that…

  • Nights of Cabiria

    Federico Fellini’s Nights of Cabiria (1957) transcends the well-worn cliche of the golden-hearted prostitute. The film stars Fellini’s wife and constant collaborator, Giuletta Masina, as a woman named Maria Ceccarelli but known to everyone in her social strata as Cabiria. Cabiria was pushed into prostitution by her destitute mother when she was young and beautiful, and her…