Appreciation coming.
Arts & Faith Lists:
2020 Top 100 — #48
Appreciation coming. Directed by: Satyajit Ray Produced by: Satyajit Ray Written by: Tarashankar Banerjee Satyajit Ray Santi P. Choudhury Music by: Ustad Vilayat Khan Robin Majumdar Cinematography by: Subrata Mitra Editing by: Dulal Dutta Release Date: 1958 Running Time: 95 Language: Bengali, English Arts & Faith Lists: 2020 Top 100 — #50
The shift from Yi Yi to A Brighter Summer Day is one of the more surprising changes to the 2020 version of the Arts & Faith Top 100. The former was on every previous version of the Arts & Faith list. The latter, initially released in 1991, had not been on any previous version. Given that the 2020 list…
From the start of his feature debut, 2000’s shaggy-dog tale documentary, Mysterious Object at Noon, where the truck-mounted loudspeaker advertisement urges the public to use a particular brand of incense “whenever you want to worship the Buddha…”, the films of Apichatpong Weerasethakul (or Joe, to call him by his nickname as is customary among Thai people)…
Despite its reputation as the picture that undeservedly beat Citizen Kane for Best Picture and Director Academy Awards, How Green Was My ValleyM remains a stirring and vital portrait of a close-knit community in all its glory—and all its failings. Seen through the eyes of a boy approaching manhood, it’s the chronicle of a quaint Welsh community and one…
Between 1955 and 1991, Indian director Satyajit Ray made more than thirty feature films, but he’s best remembered in the West for the “Apu trilogy,” which launched his career. Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959) are based on the novels of Bibhutibhushan Bandyopadhya and follow their hero, Apu, from his impoverished childhood in a small Bengali village through…
With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…