The Child

The Child

After four consecutive “masterpieces,” what did the Dardenne brothers do? Make another movie every bit as good as those. Like La Promesse, Rosetta, and The SonThe Child (L’Enfant) is a subtle parable about tests of conscience and character in a punishing world. We’re introduced to Bruno (the extraordinary Jérémie Renier). He’s young, but he’s already a hardened criminal.

Embracing the possibilities of capitalism at the cost of his conscience, he constantly references his cell-phone’s index of buyers. He’ll sell anything if he can benefit from it—even his own newborn child. But this lucrative sale may cost him the one truly meaningful blessing in his life: his beautiful girlfriend Sonia (Déborah François).

Like Kieślowski’s Decalogue, the Dardennes’ films are simple stories that become nerve-wracking thrillers, and they’re growing into a collection of provocative discussion-starters. And by the way, this one has a riveting car chase.

—Jeffrey Overstreet

  1. Directed by: Luc Dardenne Jean-Pierre Dardenne
  2. Produced by: Denis Freyd Luc Dardenne Jean-Pierre Dardenne
  3. Written by: Jean-Pierre Dardenne Luc Dardenne
  4. Music by:
  5. Cinematography by: Alain Marcoen
  6. Editing by: Marie-Hélène Dozo
  7. Release Date: 2005
  8. Running Time: 95
  9. Language: French

Arts & Faith Lists:

2010 Top 100 — #27

2011 Top 100 — #46

Similar Posts

  • Stroszek

    Eva: “No-one kicks you here, Bruno.”  Bruno Stroszek: “Not physically, here they do it spiritually.”  Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities.   Bruno is an outcast wherever he lives,…

  • The House is Black

    “There are moments when the social world seems more evident in an object or a gesture than in the whole concatenation of our beliefs and institutions.” In this quote, anthropologist David MacDougall encapsulates the ambition of observational cinema with perfect precision. “Through our senses we measure the qualities of our surroundings—the tempo of life, the…

  • Frisco Jenny

    Appreciation coming from Darren Hughes. Directed by: William A. Wellman Produced by: Written by: Wilson Mizner Robert Lord Gerald Beaumont Lillie Hayward John Francis Larkin Music by: Cinematography by: Sidney Hickox Editing by: James B. Morley Release Date: 1932 Running Time: 73 Language: English Arts & Faith Lists: 2020 Top 100 — #43

  • Schindler’s List

    Provoking intense responses both from admirers and detractors, Schindler’s List is the story of a Nazi, Oskar Schindler, who saved more than 1,000 Jews from death. The relationship of mutual gratitude between Schindler and the people he saves is the irreducible element that sets Schindler’s List apart from other chronicles of the Holocaust. Schindler saves the Jews…

  • Apocalypse Now

    Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up as a god, deep in the jungles of Cambodia. These…

  • Playtime

    The great French comedy director Jacques Tati starred in four of his own films, playing one of cinema’s most beloved comic figures, Monsieur Hulot. Hulot has a charming, Chaplin-esque presence, but the wonder of Tati’s films come from the extravagant activity that plays out in the world around him. You might consider Hulot an ancestor…