Song of Bernadette

Based on the eponymous historical novel by Jewish author Franz Werfel, Henry King’s beautifully made film stands head and shoulders over most religiously themed fare from Hollywood’s Golden Age. Werfel learned the story of Bernadette Soubirous—an illiterate teenager who in 1858 claimed to see visions of a beautiful lady who was later identified as the Blessed Virgin—while hiding from the Gestapo in Catholic homes in Lourdes, and vowed to God to write the book if he escaped to America, which he did.  
 
The fictionalized account of the visions and healings at Lourdes leaves room for ambiguity: no effort is made to address or resolve the local vicar’s repeated (and seemingly reasonable) misgivings about the phrase “I am the Immaculate Conception”; and the first reported cure, of the vision-impaired stonecutter, seems less than scientifically convincing (though it’s followed by a more convincing one). Key characters from church officials to Bernadette’s parents behaving unsympathetically without losing sympathy for them, then seamlessly redeem them.  
 
The film’s subtlety and nuance allows its overtly supernatural and Marian premise to be moving even to non-Catholic and non-Christian audiences. Along with Jennifer Jones’s radiant performance, Alfred Newman’s Oscar-winning score, which powerfully sets the stage for the onscreen apparitions, is crucial to the film’s success. Oscar-winning cinematography and interior decoration create a nineteenth-century French peasant milieu more persuasive than typical Hollywood period pieces. Sealing the film’s aura of spiritual truth is a third act shifting the focus from supernatural phenomena to the redemptive meaning of suffering.  

—Steven D. Greydanus (2011)

  1. Directed by: Henry King
  2. Produced by: William Perlberg
  3. Written by: George Seaton George Seaton Franz Werfel
  4. Music by: Alfred Newman
  5. Cinematography by: Arthur C. Miller
  6. Editing by: Barbara McLean
  7. Release Date: 1943
  8. Running Time: 156
  9. Language: English

Arts & Faith Lists:

2006 Top 100 — #99

2010 Top 100 — #100

2020 Top 100 — #51

Similar Posts

  • Calvary

    John Michael McDonagh says that Calvary is the second in a trilogy starring Brendan Gleeson as an embodiment of contemporary Ireland, which is delightful for me, because the first two have each been my favorite films in their year of release. The earlier The Guard was a perfectly realized tragicomedy, hilarious and full of grace amidst horror. Calvary, like the…

  • Yi Yi

    Most family epics are downers, tragedies, stories of something organic that slowly unravels. But Yi Yi—Edward Yang’s painstakingly observant film about a couple of weeks in the life of a Taiwanese family—is a vast tapestry of discouragement, questioning, realization, and hope. Has there ever been a family epic that offered a richer tapestry of trouble and…

  • Apocalypse Now

    Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up as a god, deep in the jungles of Cambodia. These…

  • The Mission

    The Mission confronts us with deeply spiritual questions: ·         What are we to make of the fact that the European missionaries often served as the vanguard of colonialism yet also became the staunchest defenders of the colonized against colonial plunder and oppression? ·         To what extent will or should conversion to Christianity change a person, or a whole…

  • Places in the Heart

    Places in the Heart (1984), written and directed by Robert Benton, won two Academy Awards—Best Original Screenplay and Best Actress for Sally Field. The film also received nominations for Best Film, Best Director, Best Supporting Actress (Lindsay Crouse), Best Supporting Actor (John Malkovich), and Best Costume Design. Considering the flashy blockbusters that often win big prizes…