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    Fritz Lang and Peter Lorre accomplish a remarkable feat in M (1931). They humanize child murderer Hans Beckert. Suspenseful, drenched in tragedy, M brings the audience through Beckert’s harrowing final days as he evades both police and the criminal underground. Beckert’s frantic efforts to escape the tightening noose echo his attempts to overcome his compulsion. A scratched and worn…

  • Koyaanisqatsi

    If, as they say, writing about music is like dancing about architecture, then how does one describe a film like Koyaanisqatsi (1983), which has no actors, no dialogue, and no plot, but consists instead of nothing but music and images (some of which, incidentally, do happen to revolve around architecture)? Well, we can begin by looking at…

  • Vertigo

    From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other that craftsmanship or artistry. Sight & Sound’s critics’ survey of the Top 100 Films of all…

  • Schindler’s List

    Provoking intense responses both from admirers and detractors, Schindler’s List is the story of a Nazi, Oskar Schindler, who saved more than 1,000 Jews from death. The relationship of mutual gratitude between Schindler and the people he saves is the irreducible element that sets Schindler’s List apart from other chronicles of the Holocaust. Schindler saves the Jews…

  • Paris, Texas

    Travis Henderson (Harry Dean Stanton) has been wandering in the desert for some four years at the beginning of Paris, Texas, and it shows. His suit is so begrimed with dust that it’s hard to tell what color it originally was, and in his eyes is the look of a man who does not know where…