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  • The Grand Illusion

    As we discuss what makes a film spiritually significant, the concepts of truth and beauty are often at the center of our conversations. Jean Renoir’s Grand Illusion is not just a film that presents truth and beauty; it is about truth and beauty. The film appears to argue that truth is absolute but so complex that it…

  • Rashômon

    Taking shelter from a torrential rainstorm in a demon-haunted temple, two men struggle to comprehend the story of a murder. They have witnessed crimes before, but something about this one has left them shell-shocked. One of them laments, “This time, I may finally lose my faith in the human soul.”   What follows in Akira Kurosawa’s Rashomon is…

  • Apocalypse Now

    Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up as a god, deep in the jungles of Cambodia. These…

  • Faust

    A useful starting point when approaching Friedrich Wilhelm (F. W.) Murnau’s Faust is Rembrandt’s 1652 etching of the same name. In it, we see Faust alone in his library, poring through parchments, surrounded on all sides by scientific paraphernalia. But Rembrandt pays little attention to the things in the room and, instead, directs our focus toward Faust’s desperate…

  • Chariots of Fire

    Chariots of Fire, based on the story of British Olympians Harold Abrahams and Eric Liddell, won the Academy Award for Best Picture in 1981. The film stretches the boundaries of both the biopic and sports genres as it presents a series of vignettes from the lives of these two athletes in the years and months…