Ponette

Ponette

Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance out of her. Thivisol became the youngest actress to win Best Actress at the Venice Film Festival, an honor for which Doillon gave her a puppy. 

At her mother’s funeral, Ponette’s young cousin Mathias tells her that her mother cannot come up from her grave because “they put a heavy cross on you to keep you in.” He adds, “Only zombies can come out.” As we watch Ponette try to adjust to her shattered world, it becomes clear that she has a heavy cross to bear herself.  

Intending to comfort her, Ponette’s aunt Claire tells her the story of Jesus’ burial and resurrection. What the girl hears, though, is that she needs to sit and wait and not play until her mother comes back to life. Later, a Jewish girl at Ponette’s school leads her through a series of trials, such as traversing the ground they are pretending is made of lava, so that she can become a “child of God” and persuade God to listen to her prayers.  

Doillon films many of Ponette’s scenes from a child’s eye perspective reminiscent of the “tatami level” point of view Yasujiro Ozu used in his films.  This camera placement, as well as the extraordinarily articulate performances of Thivisol and the other child actors in the film, gives their scenes a disconcertingly adult feel, an effect Doillon uses to emphasize the similarity between Ponette’s questions and those adults continue to grapple with their entire lives. 

—Tyler Perry (2011)

  1. Directed by: Jacques Doillon
  2. Produced by: Christine Gozlan Alain Sarde
  3. Written by: Jacques Doillon Brune Compagnon
  4. Music by: Philippe Sarde
  5. Cinematography by: Caroline Champetier
  6. Editing by: Jacqueline Fano
  7. Release Date: 1996
  8. Running Time: 97
  9. Language: French

Arts & Faith Lists:

2005 Top 100 — #38

2006 Top 100 — #54

2010 Top 100 — #56

2011 Top 100 — #49

2020 Top 100 — #74

Similar Posts

  • Blade Runner

    Rick Deckard: She’s a replicant, isn’t she?Dr. Eldon Tyrell: I’m impressed. How many questions does it usually take to spot one?Deckard: I don’t get it, Tyrell.Tyrell: How many questions?Deckard: Thirty, forty, cross-referenced.Tyrell: It took more than a hundred for Rachael, didn’t it?Deckard: She doesn’t know.Tyrell: She’s beginning to suspect, I think.Deckard: Suspect? How can it…

  • Winter Light

    John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…

  • Vivre Sa Vie

    My Life to Live (1961) opens with a series of closeups of Nana (Anna Karina)—her left profile, her face straight on, her right profile, and then, in the first dramatic scene of the film, a two-minute shot of the back of her head, as she breaks up with a boyfriend in a busy Parisian cafe. The…

  • The House is Black

    “There are moments when the social world seems more evident in an object or a gesture than in the whole concatenation of our beliefs and institutions.” In this quote, anthropologist David MacDougall encapsulates the ambition of observational cinema with perfect precision. “Through our senses we measure the qualities of our surroundings—the tempo of life, the…

  • Stroszek

    Eva: “No-one kicks you here, Bruno.”  Bruno Stroszek: “Not physically, here they do it spiritually.”  Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities.   Bruno is an outcast wherever he lives,…

  • Tender Mercies

    Though set in Texas, Tender Mercies is a poignant reflection on experiences and challenges that are universal. It moves unhurriedly through the struggle of a middle-aged man to understand why, even after he seemingly made every effort to ruin his life, God still blessed him. His struggle, like the movie itself, isn’t always pretty or smooth. When…