Ponette

Ponette

Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance out of her. Thivisol became the youngest actress to win Best Actress at the Venice Film Festival, an honor for which Doillon gave her a puppy. 

At her mother’s funeral, Ponette’s young cousin Mathias tells her that her mother cannot come up from her grave because “they put a heavy cross on you to keep you in.” He adds, “Only zombies can come out.” As we watch Ponette try to adjust to her shattered world, it becomes clear that she has a heavy cross to bear herself.  

Intending to comfort her, Ponette’s aunt Claire tells her the story of Jesus’ burial and resurrection. What the girl hears, though, is that she needs to sit and wait and not play until her mother comes back to life. Later, a Jewish girl at Ponette’s school leads her through a series of trials, such as traversing the ground they are pretending is made of lava, so that she can become a “child of God” and persuade God to listen to her prayers.  

Doillon films many of Ponette’s scenes from a child’s eye perspective reminiscent of the “tatami level” point of view Yasujiro Ozu used in his films.  This camera placement, as well as the extraordinarily articulate performances of Thivisol and the other child actors in the film, gives their scenes a disconcertingly adult feel, an effect Doillon uses to emphasize the similarity between Ponette’s questions and those adults continue to grapple with their entire lives. 

—Tyler Perry (2011)

  1. Directed by: Jacques Doillon
  2. Produced by: Christine Gozlan Alain Sarde
  3. Written by: Jacques Doillon Brune Compagnon
  4. Music by: Philippe Sarde
  5. Cinematography by: Caroline Champetier
  6. Editing by: Jacqueline Fano
  7. Release Date: 1996
  8. Running Time: 97
  9. Language: French

Arts & Faith Lists:

2005 Top 100 — #38

2006 Top 100 — #54

2010 Top 100 — #56

2011 Top 100 — #49

2020 Top 100 — #74

Similar Posts

  • Timbuktu

    Review coming. Directed by: Abderrahmane Sissako Produced by: Rémi Burah Etienne Comar Sylvie Pialat Olivier Père Benoît Quainon Gilles Sitbon Written by:Abderrahmane Sissako Kessen Tall Music by: Amin Bouhafa Cinematography by: Sofian El Fani Editing by: Nadia Ben Rachid Release Date: 2014 Running Time: 96 Language: French, Arabic, English Arts & Faith Lists: 2020 Top…

  • Au hasard Balthazar

    With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…

  • I Am Not Your Negro

    In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions.  As a cinematic essay, it is an intellectual and emotional argument so persuasive, it…

  • Frisco Jenny

    Appreciation coming from Darren Hughes. Directed by: William A. Wellman Produced by: Written by: Wilson Mizner Robert Lord Gerald Beaumont Lillie Hayward John Francis Larkin Music by: Cinematography by: Sidney Hickox Editing by: James B. Morley Release Date: 1932 Running Time: 73 Language: English Arts & Faith Lists: 2020 Top 100 — #43

  • The Gleaners & I

    Agnès Varda tells as much about her own experiences and feelings growing older as she does about the history and practice of gleaning, an occupation that has itself grown old. By placing herself as the documentary’s ultimate gleaner, she collects wisdom about her subjects, her environment and herself and then shares it with her audience….

  • Jesus of Montreal

    Before he became an Oscar-winning filmmaker, Denys Arcand was an historian. And some of his first historical projects—such as a government-sponsored documentary about Samuel de Champlain, one of the founding fathers of Canada—got him into trouble with the powers that be, who felt he didn’t toe the official line as closely as he should have. …