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  • The Son

    It’s tricky to review The Son without raising viewers’ expectations. To rave about the film’s artistry might create a certain anticipation of being dazzled. But, “the truth must dazzle gradually,” and The Son — like all of the Dardenne Brothers’ films — is the antithesis of what most moviegoers consider “entertainment.” It is, rather, a story that unfolds without…

  • Witness

    Review coming. Directed by: Peter Weir Produced by: David Bombyk Edward S. Feldman Wendy Stites Written by: William Kelley Pamela Wallace Earl W. Wallace Music by: Maurice Jarre Cinematography by: John Seale Editing by: Thom Noble Release Date: 1985 Running Time: 112 Language: English Arts & Faith Lists: 2020 Top 100 — #77

  • Still Life

    Still Life is director Jia Zhangke’s meditation on the effects—personal, societal, and environmental—that occur during the building of the magnificent Three Gorges Dam across the Yangtze River in central China. As the dam moves closer to completion, authorities hold back more and more water, meaning that low-lying communities close to the dam will soon be underwater….

  • Stalker

    Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city lives the Stalker, a man called to guide people into…

  • Cave of Forgotten Dreams

    On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier.  Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, across a career spanning almost 60 years, are suffused with…

  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…