Summer Hours

Summer Hours

As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made, and what we do with them?

This sounds very cerebral, but Olivier Assayas’ film Summer Hours is an intoxicating family drama about a woman with a scandalous secret; the haunted works of art she guards in her home; the challenges facing her children, who are grown, married, and living far from home; her preparations for death; and her desires regarding the future of her estate and its treasures.

A radiant ensemble cast, including Juliette Binoche, Charles Berling, and Jeremie Renier, bring this family to life, navigating complicated emotional territory. As we watch a world rich with history and secrets fading before our eyes, we’ll share realizations of deep loss and discomforting secrets, and we’ll catch glimpses of a new world full of energy and freedom. In its closing scene, Summer Hours takes a sudden turn that will be exhilarating for some viewers and heartbreaking for others.

—Jeffrey Overstreet

  1. Directed by: Olivier Assayas
  2. Produced by:
  3. Written by: Olivier Assayas
  4. Music by:
  5. Cinematography by: Eric Gautier
  6. Editing by: Luc Barnier
  7. Release Date: 2009
  8. Running Time: 103
  9. Language: French, English

Arts & Faith Lists:

2010 Top 100 — #74

2011 Top 100 — #59

Similar Posts

  • The Return

    Andrey Zvyagintsev’s celebrated feature-length debut is a story about two brothers who must decide whether to trust the stranger who suddenly arrives in their home claiming to be their father. As the sons argue about how to respond, they follow this stranger out on what they believe will be a fishing trip. It becomes something…

  • The Straight Story

    When you know that David Lynch directed such surreal, twisted films as Eraserhead, Blue Velvet, and Lost Highway, hearing that he also made a G-rated film about an old man and his tractor sounds like the beginning of a monumentally bad joke. In 1999, though, he did just that, and the movie he made is The Straight Story….

  • Stroszek

    Eva: “No-one kicks you here, Bruno.”  Bruno Stroszek: “Not physically, here they do it spiritually.”  Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities.   Bruno is an outcast wherever he lives,…

  • Lawrence of Arabia

    If, as they say, writing about music is like dancing about architecture, then how does one describe a film like Koyaanisqatsi (1983), which has no actors, no dialogue, and no plot, but consists instead of nothing but music and images (some of which, incidentally, do happen to revolve around architecture)? Well, we can begin by looking at…

  • Blade Runner

    Rick Deckard: She’s a replicant, isn’t she?Dr. Eldon Tyrell: I’m impressed. How many questions does it usually take to spot one?Deckard: I don’t get it, Tyrell.Tyrell: How many questions?Deckard: Thirty, forty, cross-referenced.Tyrell: It took more than a hundred for Rachael, didn’t it?Deckard: She doesn’t know.Tyrell: She’s beginning to suspect, I think.Deckard: Suspect? How can it…