Summer Hours

Summer Hours

As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made, and what we do with them?

This sounds very cerebral, but Olivier Assayas’ film Summer Hours is an intoxicating family drama about a woman with a scandalous secret; the haunted works of art she guards in her home; the challenges facing her children, who are grown, married, and living far from home; her preparations for death; and her desires regarding the future of her estate and its treasures.

A radiant ensemble cast, including Juliette Binoche, Charles Berling, and Jeremie Renier, bring this family to life, navigating complicated emotional territory. As we watch a world rich with history and secrets fading before our eyes, we’ll share realizations of deep loss and discomforting secrets, and we’ll catch glimpses of a new world full of energy and freedom. In its closing scene, Summer Hours takes a sudden turn that will be exhilarating for some viewers and heartbreaking for others.

—Jeffrey Overstreet

  1. Directed by: Olivier Assayas
  2. Produced by:
  3. Written by: Olivier Assayas
  4. Music by:
  5. Cinematography by: Eric Gautier
  6. Editing by: Luc Barnier
  7. Release Date: 2009
  8. Running Time: 103
  9. Language: French, English

Arts & Faith Lists:

2010 Top 100 — #74

2011 Top 100 — #59

Similar Posts

  • Stop Making Sense

    Jonathan Demme’s 1984 concert film, Stop Making Sense, begins simple enough. Talking Heads front man David Byrne walks onto a bare stage and places a boombox on the ground. “Hi, I got a tape I wanna play you,” he quips. Byrne turns on the stereo and the musician’s acoustic guitar soon melds to a tight backing…

  • Vertigo

    From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other that craftsmanship or artistry. Sight & Sound’s critics’ survey of the Top 100 Films of all…

  • The Act of Killing

    — Review Coming Directed by: Joshua Oppenheimer Anonymous Christine Cynn Produced by: Anne Köhncke Signe Byrge Sørensen Michael Uwemedimo Written by: Music by: Cinematography by: Anonymous Carlos Arango de Montis Lars Skree Editing by: Release Date: 2012 Running Time: 117 Language: Indonesian, English Arts & Faith Lists: 2020 Top 100 — #73

  • Song of Bernadette

    Based on the eponymous historical novel by Jewish author Franz Werfel, Henry King’s beautifully made film stands head and shoulders over most religiously themed fare from Hollywood’s Golden Age. Werfel learned the story of Bernadette Soubirous—an illiterate teenager who in 1858 claimed to see visions of a beautiful lady who was later identified as the…

  • Day of Wrath

    There are few films that fill us with such righteous indignation as Day of Wrath. Featuring empathetic characters caught in a callous system, the film can easily evoke our anger. Religious intolerance and dehumanizing persecution are nothing new, of course, but Day of Wrath reminds us that it has a long history. At the same time, the film…

  • A Man for All Seasons

    Steely with conviction, luminous with wisdom and wit, Fred Zinnemann’s impeccable film of Robert Bolt’s play about the life of Thomas More explores what defines a man, or what is left to a man who has no defining center that cannot be bought or coerced. Successful, urbane, gregarious, ridiculously talented and accomplished, Thomas More was the…