Summer Hours

Summer Hours

As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made, and what we do with them?

This sounds very cerebral, but Olivier Assayas’ film Summer Hours is an intoxicating family drama about a woman with a scandalous secret; the haunted works of art she guards in her home; the challenges facing her children, who are grown, married, and living far from home; her preparations for death; and her desires regarding the future of her estate and its treasures.

A radiant ensemble cast, including Juliette Binoche, Charles Berling, and Jeremie Renier, bring this family to life, navigating complicated emotional territory. As we watch a world rich with history and secrets fading before our eyes, we’ll share realizations of deep loss and discomforting secrets, and we’ll catch glimpses of a new world full of energy and freedom. In its closing scene, Summer Hours takes a sudden turn that will be exhilarating for some viewers and heartbreaking for others.

—Jeffrey Overstreet

  1. Directed by: Olivier Assayas
  2. Produced by:
  3. Written by: Olivier Assayas
  4. Music by:
  5. Cinematography by: Eric Gautier
  6. Editing by: Luc Barnier
  7. Release Date: 2009
  8. Running Time: 103
  9. Language: French, English

Arts & Faith Lists:

2010 Top 100 — #74

2011 Top 100 — #59

Similar Posts

  • Stalker

    Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city lives the Stalker, a man called to guide people into…

  • Koyaanisqatsi

    If, as they say, writing about music is like dancing about architecture, then how does one describe a film like Koyaanisqatsi (1983), which has no actors, no dialogue, and no plot, but consists instead of nothing but music and images (some of which, incidentally, do happen to revolve around architecture)? Well, we can begin by looking at…

  • Becket

    A film that has often invited comparisons to A Man for All Seasons (Top 100 #31), Becket is also the story of a high official in Britain who chooses God over king and is slain for his beliefs. Thomas Becket begins the movie as the king’s closest friend, and thus his transformation into God’s man and the king’s opponent…

  • On the Waterfront

    When we first see the priest, he is leaning over a grieving woman.  He is reading the Bible to her and praying for her.  He is doing his duty.  Father Barry has just arrived after longshoreman Joey Doyle was pushed to his death from the top of a tall building.  Edie is the woman who is in shreds on…

  • How Green Was My Valley

    Despite its reputation as the picture that undeservedly beat Citizen Kane for Best Picture and Director Academy Awards, How Green Was My ValleyM remains a stirring and vital portrait of a close-knit community in all its glory—and all its failings. Seen through the eyes of a boy approaching manhood, it’s the chronicle of a quaint Welsh community and one…