The Return

The Return

Andrey Zvyagintsev’s celebrated feature-length debut is a story about two brothers who must decide whether to trust the stranger who suddenly arrives in their home claiming to be their father.

As the sons argue about how to respond, they follow this stranger out on what they believe will be a fishing trip. It becomes something altogether different—a journey of increasing and troubling mysteries, until the brothers are divided as to whether this man is who he says he is, and whether or not he means to do them harm. Is this a rite of passage into manhood? Is it a lesson in wilderness survival skills? Are they being led to their deaths?

Zvyagintsev’s film will test a viewer’s own feelings about authority figures. Is it ever enough to just “trust and obey”? Is it arrogant for us to demand justification for the behavior or instructions of our elders… or, for that matter, of God?

The movie has also inspired speculation that it is a parable about Russian history, and the return of religious faith to the country after a time of oppression and hardship. Mikhail Kritchman composes images worth capturing and contemplating. The Return ultimately feels like a lost Dostoyevsky novella brought to life.

—Jeffrey Overstreet

  1. Directed by: Andrey Zvyagintsev
  2. Produced by: Andrew Colton Elena Kovaleva Dmitry Lesnevsky
  3. Written by: Vladimir Moiseenko Aleksandr Novototskiy-Vlasov
  4. Music by: Andrey Dergachev
  5. Cinematography by: Mikhail Krichman
  6. Editing by: Vladimir Mogilevskiy
  7. Release Date: 2003
  8. Running Time: 110
  9. Language: Russian

Arts & Faith Lists:

2010 Top 100 — #98

2011 Top 100 — #75

Similar Posts

  • Schindler’s List

    Provoking intense responses both from admirers and detractors, Schindler’s List is the story of a Nazi, Oskar Schindler, who saved more than 1,000 Jews from death. The relationship of mutual gratitude between Schindler and the people he saves is the irreducible element that sets Schindler’s List apart from other chronicles of the Holocaust. Schindler saves the Jews…

  • Paths of Glory

    Classifying Paths of Glory as an anti-war film is the result of lazy thinking. Shot in simple black-and-white in 1957, this is the film that put director Stanley Kubrick on the map, and there’s a very good reason why. While loosely based on a true story referred to as the “Corporals of Souain” during World War I…

  • Lourdes

    A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to take that away from Jessica Hausner’s Lourdes, I think what’s more…

  • Vivre Sa Vie

    My Life to Live (1961) opens with a series of closeups of Nana (Anna Karina)—her left profile, her face straight on, her right profile, and then, in the first dramatic scene of the film, a two-minute shot of the back of her head, as she breaks up with a boyfriend in a busy Parisian cafe. The…

  • The Mission

    The Mission confronts us with deeply spiritual questions: ·         What are we to make of the fact that the European missionaries often served as the vanguard of colonialism yet also became the staunchest defenders of the colonized against colonial plunder and oppression? ·         To what extent will or should conversion to Christianity change a person, or a whole…