Munyurangabo

Munyurangabo

We’ve seen some powerful, horrifying films about the war in Rwanda. But we’ve never seen anything like this—a film made with the help of Rwandans, informed by their own experiences, and performed in their own language.

Sangwa’s a prodigal son of the Hutu. He’s come back to the family farm after three years in the city, only to find his father furious and reluctant to forgive. It doesn’t make things easier that Sangwa’s brought a friend along with him—’Ngabo, a boy from the Tutsi people. Watching Sangwa’s family, ’Ngabo is reminded of all that he lost in the war between the Rwandan peoples. This only fuels his determination to journey on from there, machete in hand, to find and kill the man who slaughtered his family.

An American filmmaker who grew up in South Korea, Lee Isaac Chung made this film in order to teach young Rwandans the craft of filmmaking. It’s a work of selflessness and service, a mournful and beautiful work of art that is poetic, meditative, powerful. (Roger Ebert called it “a masterpiece.”) The actors, voices, scenes, stories—even the jokes—come from the people who live there. As Chung paints authentic pictures of today’s Rwanda, he resists the temptation to conclude on a note of false hope. Reconciliation in this blood-soaked country will be a very steep climb indeed, a process of daily forgiveness.

— Jeffrey Overstreet

  1. Directed by: Lee Isaac Chung
  2. Produced by:
  3. Written by: Samuel Gray Anderson Lee Isaac Chung
  4. Music by: Claire Wibabara
  5. Cinematography by: Lee Isaac Chung
  6. Editing by: Lee Isaac Chung
  7. Release Date: 2007
  8. Running Time: 97
  9. Language: Kinyarwanda

Arts & Faith Lists:

2010 Top 100 — #19

2011 Top 100 — #31

2020 Top 100 — #41

Similar Posts

  • Spirited Away

    Spirited Away, perhaps Japanese animation master Hayao Miyazaki’s greatest work of art, is the beautiful and engrossing tale of a young girl, Chihiro, who enters a magical world through an abandoned amusement park. Of course, such a summary necessarily fails to do justice to the grand imagination on display in the film. The comparisons to Alice…

  • Sophie Scholl: The Final Days

    Marc Rothemund’s fact-based Sophie Scholl: The Final Days is a riveting portrait of a young woman of formidable intellect, dogged self-possession, and excruciatingly steady nerves. At 21, Sophia Magdalena Scholl (Julia Jentsch) is old enough to have outgrown the brash overconfidence of immaturity, but not too old for the purity and ardor of youthful idealism. She is…

  • Tender Mercies

    Though set in Texas, Tender Mercies is a poignant reflection on experiences and challenges that are universal. It moves unhurriedly through the struggle of a middle-aged man to understand why, even after he seemingly made every effort to ruin his life, God still blessed him. His struggle, like the movie itself, isn’t always pretty or smooth. When…

  • Stroszek

    Eva: “No-one kicks you here, Bruno.”  Bruno Stroszek: “Not physically, here they do it spiritually.”  Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities.   Bruno is an outcast wherever he lives,…

  • Playtime

    The great French comedy director Jacques Tati starred in four of his own films, playing one of cinema’s most beloved comic figures, Monsieur Hulot. Hulot has a charming, Chaplin-esque presence, but the wonder of Tati’s films come from the extravagant activity that plays out in the world around him. You might consider Hulot an ancestor…

  • Three Colors Trilogy

    The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots overlap only slightly. Watch closely, and you’ll see the different…