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    L’Avventura (1960) has long been known as the first feature in Michelangelo Antonioni’s “alienation” trilogy, which includes La Notte (1961) and L’Eclisse (1962). Yet the term “alienation” is too simple and too succinct a descriptor; this film is about emotional, social, and spiritual enervation, about something nightmarish. The inhabitants of Antonioni’s post-industrial, post-war West are profoundly sick, dysfunctional, wayward, and…

  • Ran

    Blending 16th Century Japanese history, traditional Noh theater conventions, and a Shakespearean narrative, Kurosawa’s Ran tells the story of an aging feudal lord and his sons. Patterned after King Lear, Lord Hidetora wishes to retire after 50 years of conquest and bloodshed. Betrayed by two power-grasping sons, he instead must flee into the wilderness accompanied only by…

  • Stop Making Sense

    Jonathan Demme’s 1984 concert film, Stop Making Sense, begins simple enough. Talking Heads front man David Byrne walks onto a bare stage and places a boombox on the ground. “Hi, I got a tape I wanna play you,” he quips. Byrne turns on the stereo and the musician’s acoustic guitar soon melds to a tight backing…

  • The Child

    After four consecutive “masterpieces,” what did the Dardenne brothers do? Make another movie every bit as good as those. Like La Promesse, Rosetta, and The Son, The Child (L’Enfant) is a subtle parable about tests of conscience and character in a punishing world. We’re introduced to Bruno (the extraordinary Jérémie Renier). He’s young, but he’s already a hardened criminal….

  • Code Unknown

    A melting pot of social, racial and biological interactions, with injustice and violence and voyeurism thrown into the mix, Code Unknown is a film about owning up to the mystery of human relationships—how we stumble to connect through the maze of our own expressions. The film’s continual emphasis on cameras, and on the deaf and their sign…

  • Places in the Heart

    Places in the Heart (1984), written and directed by Robert Benton, won two Academy Awards—Best Original Screenplay and Best Actress for Sally Field. The film also received nominations for Best Film, Best Director, Best Supporting Actress (Lindsay Crouse), Best Supporting Actor (John Malkovich), and Best Costume Design. Considering the flashy blockbusters that often win big prizes…