The Man Who Planted Trees

The Man Who Planted Trees

This beautifully animated short film begins before World War I in the deserted and desertified foothills of the Alps in southern France, where the narrator, on a hiking excursion, meets the peasant Elzéard Bouffier. Having lost his family, Bouffier has decided to dedicate the rest of his life to reforesting the region, one acorn at a time. The film follows their interactions over the decades as the narrator grows from youth to middle age and Bouffier from middle age to elderhood. As the selfless work of Bouffier’s hands becomes established, it eventually transforms the region from a state of desolation and despair to a place of hope, growth, and prosperity. The fulfillment of his work is a lasting fruitfulness. The Man Who Planted Trees is an inspiring study of profound possibilities—for social renewal, for replenished land, and for personal wisdom and happiness.

As to the film’s spiritual significance, the narrator distinguishes the work of a man in creating a forest with the “natural” work of God or providence, but this contrast is put in tension with the narrator’s reliance on religious language and analogies to understand the depictions of the transformed landscape (as Lazarus, raised from the dead, for instance, or as Canaan, the Promised Land). Ultimately, the narrator resolves this by seeing Bouffier’s work as “a task worthy of God.” The transformations depicted are made possible by a life lived in decisive commitment to such a task. The film portrays, as the narrator makes explicit, what it looks like when a person partners with God in the work of resurrection, suggesting that life, though it may be a movement toward death, can also be a movement in hope toward new life. — Robert Zandstra (2020)

  1. Directed by: Frédéric Back
  2. Produced by:
  3. Written by: Jean Giono
  4. Music by:
  5. Cinematography by:
  6. Editing by:
  7. Release Date: 1987
  8. Running Time: 30
  9. Language: English, French

Arts & Faith Lists:

2020 Top 100 — #37

Similar Posts

  • Summer Hours

    As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made,…

  • Dekalog

    “What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t answer Kieslowski’s questions either. What it does is pose them…

  • Nazarin

    Review coming.  Directed by: Luis Buñuel Produced by: Federico Amérigo Manuel Barbachano Ponce Written by: Julio Alejandro Luis Buñuel Benito Pérez Galdós Emilio Carballido Music by: Rodolfo Halffter Cinematography by: Gabriel Figueroa Editing by: Carlos Savage Release Date: 1959 Running Time: 94 Language: Spanish Arts & Faith Lists: 2005 Top 100 — #47 2006 Top…

  • Magnolia

    “This was not just a matter of chance,” the narrator of Magnolia tells us, and so begins an odyssey of coincidence, absurdity, failure, and redemption. A television producer lies dying, his memory failing, crying out for his estranged son. A cable-TV pseudo-celebrity, renowned for his seminars on how to successfully seduce women, finds himself confronted by the…

  • The Gleaners & I

    Agnès Varda tells as much about her own experiences and feelings growing older as she does about the history and practice of gleaning, an occupation that has itself grown old. By placing herself as the documentary’s ultimate gleaner, she collects wisdom about her subjects, her environment and herself and then shares it with her audience….

  • Rashômon

    Taking shelter from a torrential rainstorm in a demon-haunted temple, two men struggle to comprehend the story of a murder. They have witnessed crimes before, but something about this one has left them shell-shocked. One of them laments, “This time, I may finally lose my faith in the human soul.”   What follows in Akira Kurosawa’s Rashomon is…