Appreciation coming.
Arts & Faith Lists:
2020 Top 100 — #36
“You gotta laugh, ain’t ya sweetheart? Else you’d cry.” This observation from working-class Londoner Cynthia Rose Purley (Brenda Blethyn) is a perfect summary of the tone running through Mike Leigh’s Palme d’Or-winning melodramatic masterpiece. A slice-of-life portrayal of broken individuals navigating the complexity of their familial ties, Secrets & Lies perfectly captures the quiet intensity of ordinary suffering. Both comic…
The more particular you make your story, the more universal it becomes, or so they say. And Norman Jewison’s adaptation of Fiddler on the Roof (1971), one of the longest-running musicals in Broadway history, is certainly a case in point. On the surface, it is a story about a poor Jewish milkman living in Tsarist Russia in…
Eva: “No-one kicks you here, Bruno.” Bruno Stroszek: “Not physically, here they do it spiritually.” Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities. Bruno is an outcast wherever he lives,…
In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic experiments in the 1960s. Like Godard (who was deeply influenced…
Set on the border between Mexico and America, Orson Welles’ Touch of Evil tells the tale of a murder investigation that pits two determined men against one another: Miguel Vargas, an official in the Mexican government, and Hank Quinlan, an American police captain. Vargas is an articulate, young, handsome, wealthy, educated, straight-shooter with a bright…
We’ve seen some powerful, horrifying films about the war in Rwanda. But we’ve never seen anything like this—a film made with the help of Rwandans, informed by their own experiences, and performed in their own language. Sangwa’s a prodigal son of the Hutu. He’s come back to the family farm after three years in the…