The Straight Story

The Straight Story

When you know that David Lynch directed such surreal, twisted films as Eraserhead, Blue Velvet, and Lost Highway, hearing that he also made a G-rated film about an old man and his tractor sounds like the beginning of a monumentally bad joke. In 1999, though, he did just that, and the movie he made is The Straight Story.  

The Straight Story gets its title from its protagonist, Alvin Straight (Richard Farnsworth, nominated for an Oscar in his final film role; he died the year after the film was released), although the title can also be taken as a warning to Lynch fans expecting his usual lurid twists and turns: this story will be straightforward and simple, quiet and reflective.  

As far as the story goes, it is about Alvin’s journey to visit his ailing brother Lyle (Harry Dean Stanton), with whom he has not spoken in years. Alvin’s eyesight is too poor for him to drive, and he does not like riding with anyone else driving, so he decides to drive his riding lawnmower the ninety-odd miles to visit his brother before it is too late. He meets some people and has some minor setbacks along the way, but that’s really it as far as plot.  

As quietly captivating as Farnsworth’s performance is, the star of The Straight Story is really the midwestern landscape. Captured by cinematographer Freddie Francis, who also worked with Lynch on The Elephant Man and Dune, the green cornfields and, yes, amber waves of grain become a contemplative space onscreen, allowing the audience to enter in to the languid, possibly mystical experience of Alvin Straight’s journey.  

And if the cinematography is the star, the soundtrack is the supporting actor. Frequent Lynch collaborator Angelo Badalamenti’s spare, evocative score perfectly complements Francis’s images, inviting the audience to slow down, look around, and pay attention to the deep mysteries of the journey. 

—Tyler Petty

  1. Directed by: David Lynch
  2. Produced by: Pierre Edelman
  3. Written by: John Roach Mary Sweeney
  4. Music by: Angelo Badalamenti
  5. Cinematography by: Freddie Francis
  6. Editing by: Mary Sweeney
  7. Release Date: 1999
  8. Running Time: 112 min.
  9. Language: English

Arts & Faith Lists:

2005 Top 100 — #59

2006 Top 100 — #43

2010 Top 100 — #54

2011 Top 100 — #38

Similar Posts

  • Wings of Desire

    We must decide to be human. In the People’s Square, before a great crowd of witnesses and in representing them, we must make the decision to be wholly human. Wim Wenders’ wonderful and dreamlike 1987 fantasy, Der Himmel über Berlin, portrays two angels observing the people of a divided Berlin.   As the camera floats freely…

  • L’Avventura

    L’Avventura (1960) has long been known as the first feature in Michelangelo Antonioni’s “alienation” trilogy, which includes La Notte (1961) and L’Eclisse (1962). Yet the term “alienation” is too simple and too succinct a descriptor; this film is about emotional, social, and spiritual enervation, about something nightmarish. The inhabitants of Antonioni’s post-industrial, post-war West are profoundly sick, dysfunctional, wayward, and…

  • To Sleep With Anger

    Review coming. Directed by: Charles Burnett Produced by: Thomas S. Byrnes Caldecot Chubb Michael Flynn Danny Glover Linda Koulisis Edward R. Pressman Darin Scott Ron Stacker Thompson Harris Tulchin Written by: Charles Burnett Music by: Stephen James Taylor Cinematography by: Walt Lloyd Editing by: Nancy Richardson Release Date: 1990 Running Time: 102 Language: English Arts…

  • The Apu Trilogy

    Between 1955 and 1991, Indian director Satyajit Ray made more than thirty feature films, but he’s best remembered in the West for the “Apu trilogy,” which launched his career. Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959) are based on the novels of Bibhutibhushan Bandyopadhya and follow their hero, Apu, from his impoverished childhood in a small Bengali village through…

  • The Immigrant

    In a nod to the social realism of American cinema in the late silent era, The Immigrant is an operatic take on a city full of charlatans, pimps, and immigrants. Its citizens are larger than life and drawn as broadly as a sepia photograph in fading newsprint. But like Bruno and Ewa, they are carving out a…

  • Tender Mercies

    Though set in Texas, Tender Mercies is a poignant reflection on experiences and challenges that are universal. It moves unhurriedly through the struggle of a middle-aged man to understand why, even after he seemingly made every effort to ruin his life, God still blessed him. His struggle, like the movie itself, isn’t always pretty or smooth. When…