The Straight Story

The Straight Story

When you know that David Lynch directed such surreal, twisted films as Eraserhead, Blue Velvet, and Lost Highway, hearing that he also made a G-rated film about an old man and his tractor sounds like the beginning of a monumentally bad joke. In 1999, though, he did just that, and the movie he made is The Straight Story.  

The Straight Story gets its title from its protagonist, Alvin Straight (Richard Farnsworth, nominated for an Oscar in his final film role; he died the year after the film was released), although the title can also be taken as a warning to Lynch fans expecting his usual lurid twists and turns: this story will be straightforward and simple, quiet and reflective.  

As far as the story goes, it is about Alvin’s journey to visit his ailing brother Lyle (Harry Dean Stanton), with whom he has not spoken in years. Alvin’s eyesight is too poor for him to drive, and he does not like riding with anyone else driving, so he decides to drive his riding lawnmower the ninety-odd miles to visit his brother before it is too late. He meets some people and has some minor setbacks along the way, but that’s really it as far as plot.  

As quietly captivating as Farnsworth’s performance is, the star of The Straight Story is really the midwestern landscape. Captured by cinematographer Freddie Francis, who also worked with Lynch on The Elephant Man and Dune, the green cornfields and, yes, amber waves of grain become a contemplative space onscreen, allowing the audience to enter in to the languid, possibly mystical experience of Alvin Straight’s journey.  

And if the cinematography is the star, the soundtrack is the supporting actor. Frequent Lynch collaborator Angelo Badalamenti’s spare, evocative score perfectly complements Francis’s images, inviting the audience to slow down, look around, and pay attention to the deep mysteries of the journey. 

—Tyler Petty

  1. Directed by: David Lynch
  2. Produced by: Pierre Edelman
  3. Written by: John Roach Mary Sweeney
  4. Music by: Angelo Badalamenti
  5. Cinematography by: Freddie Francis
  6. Editing by: Mary Sweeney
  7. Release Date: 1999
  8. Running Time: 112 min.
  9. Language: English

Arts & Faith Lists:

2005 Top 100 — #59

2006 Top 100 — #43

2010 Top 100 — #54

2011 Top 100 — #38

Similar Posts

  • The Apu Trilogy

    Between 1955 and 1991, Indian director Satyajit Ray made more than thirty feature films, but he’s best remembered in the West for the “Apu trilogy,” which launched his career. Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959) are based on the novels of Bibhutibhushan Bandyopadhya and follow their hero, Apu, from his impoverished childhood in a small Bengali village through…

  • Frisco Jenny

    Appreciation coming from Darren Hughes. Directed by: William A. Wellman Produced by: Written by: Wilson Mizner Robert Lord Gerald Beaumont Lillie Hayward John Francis Larkin Music by: Cinematography by: Sidney Hickox Editing by: James B. Morley Release Date: 1932 Running Time: 73 Language: English Arts & Faith Lists: 2020 Top 100 — #43

  • Vertigo

    From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other that craftsmanship or artistry. Sight & Sound’s critics’ survey of the Top 100 Films of all…

  • Still Life

    Still Life is director Jia Zhangke’s meditation on the effects—personal, societal, and environmental—that occur during the building of the magnificent Three Gorges Dam across the Yangtze River in central China. As the dam moves closer to completion, authorities hold back more and more water, meaning that low-lying communities close to the dam will soon be underwater….

  • Uncle Boonmee Who Can Recall His Past Lives

    From the start of his feature debut, 2000’s shaggy-dog tale documentary, Mysterious Object at Noon, where the truck-mounted loudspeaker advertisement urges the public to use a particular brand of incense “whenever you want to worship the Buddha…”, the films of Apichatpong Weerasethakul (or Joe, to call him by his nickname as is customary among Thai people)…