This is Martin Bonner

This is Martin Bonner

“I feel like it should mean nothing or everything,” Travis says of the Christianity that he sees professed by others and lived by Martin, “and I can’t get to either place.” 

This is Martin Bonner is the rare recent film where Christian characters talk like Christians I know. Martin has been hurt by the church. He feels, probably with some cause, that Christians turned their back on him when he got divorced. That the film shows Martin dealing with the consequences of the divorce rather than explaining its causes is also rare. It seeks and finds that elusive middle ground in between the facile notion that all Christians are saints and the equally facile dismissal that no Christian service can be sincerely motivated. 

Martin is part of a church program designed to help parolees reintegrate into society. Travis’s experience shows such programs to be welcome but woefully insufficient. It isn’t said aloud, but what we are made to feel more keenly with each passing scene is that Marin (and those like him) has no program to help him transition from one part of his life to another. Isn’t that what church is supposed to be? 

— Kenneth R. Morefield (2020)

Arts & Faith Lists:

2020 Top 100 — #99

Similar Posts

  • A Man for All Seasons

    Steely with conviction, luminous with wisdom and wit, Fred Zinnemann’s impeccable film of Robert Bolt’s play about the life of Thomas More explores what defines a man, or what is left to a man who has no defining center that cannot be bought or coerced. Successful, urbane, gregarious, ridiculously talented and accomplished, Thomas More was the…

  • The Return

    Andrey Zvyagintsev’s celebrated feature-length debut is a story about two brothers who must decide whether to trust the stranger who suddenly arrives in their home claiming to be their father. As the sons argue about how to respond, they follow this stranger out on what they believe will be a fishing trip. It becomes something…

  • |

    Monsieur Vincent

    Appreciation coming. Directed by: Maurice Cloche Produced by: Viscount George de la Grandiere André Halley des Fontaines André Lejard Georges Maurer Written by: Jean Anouilh Jean Bernard-Luc Music by: Jean-Jacques Grünenwald Jean Dalve Cinematography by: Claude Renoir Editing by: Jean Feyte Release Date: 1947 Running Time: 111 Language: French Arts & Faith Lists: 2016 Top…

  • Paris, Texas

    Travis Henderson (Harry Dean Stanton) has been wandering in the desert for some four years at the beginning of Paris, Texas, and it shows. His suit is so begrimed with dust that it’s hard to tell what color it originally was, and in his eyes is the look of a man who does not know where…

  • Lawrence of Arabia

    If, as they say, writing about music is like dancing about architecture, then how does one describe a film like Koyaanisqatsi (1983), which has no actors, no dialogue, and no plot, but consists instead of nothing but music and images (some of which, incidentally, do happen to revolve around architecture)? Well, we can begin by looking at…

  • On the Waterfront

    When we first see the priest, he is leaning over a grieving woman.  He is reading the Bible to her and praying for her.  He is doing his duty.  Father Barry has just arrived after longshoreman Joey Doyle was pushed to his death from the top of a tall building.  Edie is the woman who is in shreds on…