This is Martin Bonner

This is Martin Bonner

“I feel like it should mean nothing or everything,” Travis says of the Christianity that he sees professed by others and lived by Martin, “and I can’t get to either place.” 

This is Martin Bonner is the rare recent film where Christian characters talk like Christians I know. Martin has been hurt by the church. He feels, probably with some cause, that Christians turned their back on him when he got divorced. That the film shows Martin dealing with the consequences of the divorce rather than explaining its causes is also rare. It seeks and finds that elusive middle ground in between the facile notion that all Christians are saints and the equally facile dismissal that no Christian service can be sincerely motivated. 

Martin is part of a church program designed to help parolees reintegrate into society. Travis’s experience shows such programs to be welcome but woefully insufficient. It isn’t said aloud, but what we are made to feel more keenly with each passing scene is that Marin (and those like him) has no program to help him transition from one part of his life to another. Isn’t that what church is supposed to be? 

— Kenneth R. Morefield (2020)

Arts & Faith Lists:

2020 Top 100 — #99

Similar Posts

  • Lourdes

    A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to take that away from Jessica Hausner’s Lourdes, I think what’s more…

  • Stalker

    Andrei Tarkovsky’s Stalker is a film set in two worlds, but one that takes place entirely on Earth. The first act of Stalker shows us an unnamed, dilapidated city shot in washed-out sepia tones so murky and muted it is difficult to imagine anything surviving there. In this city lives the Stalker, a man called to guide people into…

  • Au hasard Balthazar

    With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…

  • Spirited Away

    Spirited Away, perhaps Japanese animation master Hayao Miyazaki’s greatest work of art, is the beautiful and engrossing tale of a young girl, Chihiro, who enters a magical world through an abandoned amusement park. Of course, such a summary necessarily fails to do justice to the grand imagination on display in the film. The comparisons to Alice…

  • Stop Making Sense

    Jonathan Demme’s 1984 concert film, Stop Making Sense, begins simple enough. Talking Heads front man David Byrne walks onto a bare stage and places a boombox on the ground. “Hi, I got a tape I wanna play you,” he quips. Byrne turns on the stereo and the musician’s acoustic guitar soon melds to a tight backing…

  • Summer Hours

    As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made,…