Review coming.
Arts & Faith Lists:
2020 Top 100 — #32
In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions. As a cinematic essay, it is an intellectual and emotional argument so persuasive, it…
A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to take that away from Jessica Hausner’s Lourdes, I think what’s more…
Places in the Heart (1984), written and directed by Robert Benton, won two Academy Awards—Best Original Screenplay and Best Actress for Sally Field. The film also received nominations for Best Film, Best Director, Best Supporting Actress (Lindsay Crouse), Best Supporting Actor (John Malkovich), and Best Costume Design. Considering the flashy blockbusters that often win big prizes…
The great French comedy director Jacques Tati starred in four of his own films, playing one of cinema’s most beloved comic figures, Monsieur Hulot. Hulot has a charming, Chaplin-esque presence, but the wonder of Tati’s films come from the extravagant activity that plays out in the world around him. You might consider Hulot an ancestor…
Based on the eponymous historical novel by Jewish author Franz Werfel, Henry King’s beautifully made film stands head and shoulders over most religiously themed fare from Hollywood’s Golden Age. Werfel learned the story of Bernadette Soubirous—an illiterate teenager who in 1858 claimed to see visions of a beautiful lady who was later identified as the…
There is little, if any, historical accuracy in Amadeus. The portrayal of Mozart (Tom Hulce) as vulgar libertine is certainly based in much historical fact, but as seen through the eyes of Antonio Salieri (F. Murray Abraham), the film’s antihero protagonist and unreliable narrator, even the extent of the genius’ crassness can be called into question….