Wings of Desire

Wings of Desire

We must decide to be human. In the People’s Square, before a great crowd of witnesses and in representing them, we must make the decision to be wholly human. Wim Wenders’ wonderful and dreamlike 1987 fantasy, Der Himmel über Berlin, portrays two angels observing the people of a divided Berlin.  

As the camera floats freely above East and West Berlin, Wenders allows the angels to listen in on the thoughts of those around them, eavesdropping on the hidden conversations we all hold with ourselves. This soundtrack creates a kind of music all its own, as the German and French and English roll on in layers over the rich black and white imagery. 

The angels Damiel and Cassiel report back to each other their observations and interactions with those around them. Damiel, enthralled with the humanness of existence, begins to consider exchanging his spiritual life for mortal flesh. Cassiel, stark and reserved, urges his compatriot to hold himself in angelic ranks. Yet two mortals speak more compellingly to Damiel’s longing than do Cassiel’s pleas. Marion, a circus acrobat, and Peter Falk, in Berlin for a film shoot, both ignite Damiel’s fascination and, more importantly, his imagination.  

With that, he steps into mortal shoes. Wenders shifts from black and white to color film, from one side of the Wall to the other, and vibrant tones leap off the screen. The effect is not unlike a child opening a box of Crayolas and transforming a blank page into a canvas of brilliant color. A refreshing, new day dawns as Damiel seeks out both Falk and Marion, embarking on a journey of wholeness, in the unification of spirit and flesh. And Cassiel, still in his black and white, now watches him. 

—Edward Allie (2011)

  1. Directed by: Wim Wenders
  2. Produced by:
  3. Written by: Peter Handkie Wim Wenders
  4. Music by: Jürgen Knieper
  5. Cinematography by: Henri Alekan
  6. Editing by: Peter Przygodda
  7. Release Date: 1987
  8. Running Time: 128
  9. Language: German, English, French

Arts & Faith Lists:

2005 Top 100 — #30

2006 Top 100 — #28

2010 Top 100 — #12

2011 Top 100 — #67

2020 Top 100 — #47

Similar Posts

  • Summer Hours

    As the sun sets on a chapter of history, a beautiful estate in the countryside outside of Paris becomes the setting for this intricate meditation on art and history: What makes an object valuable? How is globalization changing our values? How is it changing the role of art in culture, the way things are made,…

  • Au hasard Balthazar

    With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…

  • L’Avventura

    L’Avventura (1960) has long been known as the first feature in Michelangelo Antonioni’s “alienation” trilogy, which includes La Notte (1961) and L’Eclisse (1962). Yet the term “alienation” is too simple and too succinct a descriptor; this film is about emotional, social, and spiritual enervation, about something nightmarish. The inhabitants of Antonioni’s post-industrial, post-war West are profoundly sick, dysfunctional, wayward, and…

  • Timbuktu

    Review coming. Directed by: Abderrahmane Sissako Produced by: Rémi Burah Etienne Comar Sylvie Pialat Olivier Père Benoît Quainon Gilles Sitbon Written by:Abderrahmane Sissako Kessen Tall Music by: Amin Bouhafa Cinematography by: Sofian El Fani Editing by: Nadia Ben Rachid Release Date: 2014 Running Time: 96 Language: French, Arabic, English Arts & Faith Lists: 2020 Top…

  • The Mirror

    A stuttering student is hypnotized to cure his impediment. A strong wind blows across a field. A ceiling collapses in a rainshower. A bird lands on a boy’s head. A sleeping woman levitates over her bed. A man clutches some feathers in his hand, and a bird flies out.   It is difficult to imagine…