Appreciation coming.
Arts & Faith Lists:
2020 Top 100 — #60
Few political issues reveal the divisions among people who claim to be religious or spiritual more than does the death penalty. Like Dead Man Walking, the other great death penalty film on this list, At the Death House Door, argues passionately that the death penalty traumatizes those who are called to enact it. Like soldiers drafted into…
The third feature by Colombian director Ciro Guerra, Embrace of the Serpent calls to mind Roland Joffe’s The Mission, with its story of colonial exploitation of South American tribes. Its brink of insanity, hallucinatory vividness is reminiscent of Werner Herzog’s Fitzcarraldo and Aguirre, the Wrath of God. But Embrace of the Serpent is marvelous on its own terms. Loosely inspired by the journals…
We must decide to be human. In the People’s Square, before a great crowd of witnesses and in representing them, we must make the decision to be wholly human. Wim Wenders’ wonderful and dreamlike 1987 fantasy, Der Himmel über Berlin, portrays two angels observing the people of a divided Berlin. As the camera floats freely…
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…
Marc Rothemund’s fact-based Sophie Scholl: The Final Days is a riveting portrait of a young woman of formidable intellect, dogged self-possession, and excruciatingly steady nerves. At 21, Sophia Magdalena Scholl (Julia Jentsch) is old enough to have outgrown the brash overconfidence of immaturity, but not too old for the purity and ardor of youthful idealism. She is…
A useful starting point when approaching Friedrich Wilhelm (F. W.) Murnau’s Faust is Rembrandt’s 1652 etching of the same name. In it, we see Faust alone in his library, poring through parchments, surrounded on all sides by scientific paraphernalia. But Rembrandt pays little attention to the things in the room and, instead, directs our focus toward Faust’s desperate…