Magnolia

Magnolia

“This was not just a matter of chance,” the narrator of Magnolia tells us, and so begins an odyssey of coincidence, absurdity, failure, and redemption. A television producer lies dying, his memory failing, crying out for his estranged son. A cable-TV pseudo-celebrity, renowned for his seminars on how to successfully seduce women, finds himself confronted by the past he has tried to forget. A former quiz-kid champion struggles with the uselessness of his knowledge and the loneliness of his life. An up-and-coming quiz kid champion tries to break free of his father’s control. Haunted by sexual abuse, a young girl struggles to overcome her mess of a life and find solace in a romantic relationship with an insecure police officer. There are some, but not all, of the many individuals who populate Magnolia, and all of them are, in one way or another, bound together. 

Paul Thomas Anderson’s intimate direction keeps us close to these characters, and if the film seems epic, it’s only because of the sprawling of the narrative and the sweeping emotions. Magnolia never holds too closely to realism—the centerpiece of the film features a kind of group sing-a-long, like a brief venture into a musical—but it never departs from its distinctly human struggles. The ending’s strange climax recalls the work of Charles Fort and the Biblical plagues of Egypt in one stroke, suggesting that absurdity and providence may be two sides of the same coin. 

At the end of Magnolia, many of these characters step towards redemption. Others fall to a kind of judgment. Absurd chance, or perhaps some form of greater providence, has brought them together and has forced them to confront their failings. Magnolia is exhausting in its relentless depiction of human brokenness, but it ultimately points to the existence of grace and the hope for redemption. 

—Ryan Holt (2011)

  1. Directed by: Paul Thomas Anderson
  2. Produced by: Paul Thomas Anderson
  3. Written by: Paul Thomas Anderson
  4. Music by: Jon Brion
  5. Cinematography by: Robert Elswit
  6. Editing by: Dylan Tichenor
  7. Release Date: 1999
  8. Running Time: 188
  9. Language: English

Arts & Faith Lists:

2005 Top 100 — #27

2006 Top 100 — #23

2010 Top 100 — #58

2011 Top 100 — #16

2020 Top 100 — #82

Similar Posts

  • I Am Not Your Negro

    In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions.  As a cinematic essay, it is an intellectual and emotional argument so persuasive, it…

  • Timbuktu

    Review coming. Directed by: Abderrahmane Sissako Produced by: Rémi Burah Etienne Comar Sylvie Pialat Olivier Père Benoît Quainon Gilles Sitbon Written by:Abderrahmane Sissako Kessen Tall Music by: Amin Bouhafa Cinematography by: Sofian El Fani Editing by: Nadia Ben Rachid Release Date: 2014 Running Time: 96 Language: French, Arabic, English Arts & Faith Lists: 2020 Top…

  • The Immigrant

    In a nod to the social realism of American cinema in the late silent era, The Immigrant is an operatic take on a city full of charlatans, pimps, and immigrants. Its citizens are larger than life and drawn as broadly as a sepia photograph in fading newsprint. But like Bruno and Ewa, they are carving out a…

  • Playtime

    The great French comedy director Jacques Tati starred in four of his own films, playing one of cinema’s most beloved comic figures, Monsieur Hulot. Hulot has a charming, Chaplin-esque presence, but the wonder of Tati’s films come from the extravagant activity that plays out in the world around him. You might consider Hulot an ancestor…

  • Ponette

    Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance out of her. Thivisol became the youngest actress to win…