Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up Read More …
In a key scene of Romanian writer–director Cristian Mungiu’s 4 Months, Gabita Dragut (Laura Vasiliu) and her college roommate and friend Otilia (Anamaria Marinca) agree never again to discuss the horrific events of that day. To draw a shroud of silence over certain overwhelming experiences is Read More …
Set on the border between Mexico and America, Orson Welles’ Touch of Evil tells the tale of a murder investigation that pits two determined men against one another: Miguel Vargas, an official in the Mexican government, and Hank Quinlan, an American police captain. Vargas is Read More …
When you know that David Lynch directed such surreal, twisted films as Eraserhead, Blue Velvet, and Lost Highway, hearing that he also made a G-rated film about an old man and his tractor sounds like the beginning of a monumentally bad joke. In 1999, though, he did Read More …
Federico Fellini’s Nights of Cabiria (1957) transcends the well-worn cliche of the golden-hearted prostitute. The film stars Fellini’s wife and constant collaborator, Giuletta Masina, as a woman named Maria Ceccarelli but known to everyone in her social strata as Cabiria. Cabiria was pushed into prostitution by her Read More …
Between 1955 and 1991, Indian director Satyajit Ray made more than thirty feature films, but he’s best remembered in the West for the “Apu trilogy,” which launched his career. Pather Panchali (1955), Aparajito (1956), and Apur Sansar (1959) are based on the novels of Bibhutibhushan Bandyopadhya and follow their hero, Apu, Read More …
“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for Read More …
Classifying Paths of Glory as an anti-war film is the result of lazy thinking. Shot in simple black-and-white in 1957, this is the film that put director Stanley Kubrick on the map, and there’s a very good reason why. While loosely based on a true story referred Read More …
Though set in Texas, Tender Mercies is a poignant reflection on experiences and challenges that are universal. It moves unhurriedly through the struggle of a middle-aged man to understand why, even after he seemingly made every effort to ruin his life, God still blessed him. His struggle, Read More …
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a Read More …