John Michael McDonagh says that Calvary is the second in a trilogy starring Brendan Gleeson as an embodiment of contemporary Ireland, which is delightful for me, because the first two have each been my favorite films in their year of release. The earlier The Guard was a perfectly realized tragicomedy, hilarious and full of grace amidst horror. Calvary, like the…
In his 14th full-length film, I Am Not Your Negro, Haitian-born director Raoul Peck achieved perfection with a masterful blending of a screenplay by writer and activist James Baldwin, footage old and new, and an eclectic soundtrack that underscores his film’s ideas and contentions. As a cinematic essay, it is an intellectual and emotional argument so persuasive, it…
In approximately a decade’s time, if not slightly longer, Nicholas Ray directed a corpus of artistically successful films comparable to William Wyler’s run of exceptional movies in the 1940s and 1950s, to Yasujiro Ozu’s mature work from 1949 to 1962, and to Jean-Luc Godard’s cinematic experiments in the 1960s. Like Godard (who was deeply influenced…
Appreciation coming. Directed by: Jean-Luc Godard Produced by: Alain Sarde Ruth Waldburger Written by: Jean-Luc Godard Music by: Cinematography by: Julien Hirsch Christophe Pollock Editing by: Raphaele Urtin Release Date: 2001 Running Time: 97 Language: French Arts & Faith Lists: 2010 Top 100 — #94 2020 Top 100 — #69
This dark comedy from Joel & Ethan Coen is a distillation of some of the duo’s most potent themes. Larry Gopnik (Michael Stuhlbarg) is our Job figure, a physics professor in suburban Minneapolis who finds his life falling apart both personally and professionally. The principle of uncertainty, introduced early in the film via Schroedinger’s famous…
Appreciation coming. Directed by: Chang-dong Lee Produced by: Lee Hanna In Soo Kim Written by: Chang-dong Lee Chung-Joon Lee Music by: Christian Basso Cinematography by: Yong-kyou Cho Editing by: Hyun Kim Release Date: 2007 Running Time: 142 Language: Korean Arts & Faith Lists: 2020 Top 100 — #67
The third feature by Colombian director Ciro Guerra, Embrace of the Serpent calls to mind Roland Joffe’s The Mission, with its story of colonial exploitation of South American tribes. Its brink of insanity, hallucinatory vividness is reminiscent of Werner Herzog’s Fitzcarraldo and Aguirre, the Wrath of God. But Embrace of the Serpent is marvelous on its own terms. Loosely inspired by the journals…
From the first Arts & Faith Top 100 list in 2004, voters have wrestled with and disputed the meaning of “Spiritually Significant.” When discussing what makes a film spiritually significant, seemingly the only constant has been that it means something other that craftsmanship or artistry. Sight & Sound’s critics’ survey of the Top 100 Films of all…
As we discuss what makes a film spiritually significant, the concepts of truth and beauty are often at the center of our conversations. Jean Renoir’s Grand Illusion is not just a film that presents truth and beauty; it is about truth and beauty. The film appears to argue that truth is absolute but so complex that it…
Jonathan Demme’s 1984 concert film, Stop Making Sense, begins simple enough. Talking Heads front man David Byrne walks onto a bare stage and places a boombox on the ground. “Hi, I got a tape I wanna play you,” he quips. Byrne turns on the stereo and the musician’s acoustic guitar soon melds to a tight backing…