Eva: “No-one kicks you here, Bruno.” Bruno Stroszek: “Not physically, here they do it spiritually.” Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities. Bruno is an outcast wherever he lives,…
Most family epics are downers, tragedies, stories of something organic that slowly unravels. But Yi Yi—Edward Yang’s painstakingly observant film about a couple of weeks in the life of a Taiwanese family—is a vast tapestry of discouragement, questioning, realization, and hope. Has there ever been a family epic that offered a richer tapestry of trouble and…
After four consecutive “masterpieces,” what did the Dardenne brothers do? Make another movie every bit as good as those. Like La Promesse, Rosetta, and The Son, The Child (L’Enfant) is a subtle parable about tests of conscience and character in a punishing world. We’re introduced to Bruno (the extraordinary Jérémie Renier). He’s young, but he’s already a hardened criminal….
There are few films that fill us with such righteous indignation as Day of Wrath. Featuring empathetic characters caught in a callous system, the film can easily evoke our anger. Religious intolerance and dehumanizing persecution are nothing new, of course, but Day of Wrath reminds us that it has a long history. At the same time, the film…
This classic, brilliantly colorful film from Michael Powell and Emeric Pressberger follows five nuns, led by Sister Clodagh, into the Himalayas to start a hospital and school for the local villagers. The battle against the elements and the local culture proves to be a formidable one, though Sister Clodagh’s most difficult tasks comes from within—through…
A melting pot of social, racial and biological interactions, with injustice and violence and voyeurism thrown into the mix, Code Unknown is a film about owning up to the mystery of human relationships—how we stumble to connect through the maze of our own expressions. The film’s continual emphasis on cameras, and on the deaf and their sign…
Whirring helicopter blades slowly dissolve into the rotating ceiling fan of Capt. Willard’s Saigon apartment, as he drinks himself into oblivion. Lt. Col. Kilgore blasts Wagner from his infantry helicopters as they decimate a Viet Cong village. The mad genius, Col. Kurtz, sets himself up as a god, deep in the jungles of Cambodia. These…
In a key scene of Romanian writer–director Cristian Mungiu’s 4 Months, Gabita Dragut (Laura Vasiliu) and her college roommate and friend Otilia (Anamaria Marinca) agree never again to discuss the horrific events of that day. To draw a shroud of silence over certain overwhelming experiences is a natural impulse. We avert our eyes, like urban pedestrians…
Set on the border between Mexico and America, Orson Welles’ Touch of Evil tells the tale of a murder investigation that pits two determined men against one another: Miguel Vargas, an official in the Mexican government, and Hank Quinlan, an American police captain. Vargas is an articulate, young, handsome, wealthy, educated, straight-shooter with a bright…
When you know that David Lynch directed such surreal, twisted films as Eraserhead, Blue Velvet, and Lost Highway, hearing that he also made a G-rated film about an old man and his tractor sounds like the beginning of a monumentally bad joke. In 1999, though, he did just that, and the movie he made is The Straight Story….