To Sleep With Anger

A Catholic pilgrimage underscored by a Lutheran chorale, a nun abandoning her duties to have an affair, a skeptic receiving a miraculous cure ahead of more devout pilgrims. A cliché I can’t stand says “God moves in mysterious ways,” and while it is possible to take that away from Jessica Hausner’s Lourdes, I think what’s more…

Hirokazu Koreeda is a director seemingly preoccupied with death: his films Maborosi, Hana, and Still Walking all focus on characters dealing with the death of a loved one. After Life is also concerned with death, but Koreeda approaches his subject from a different angle in this film. Whereas his other films showed what happens to the living after someone they know…

With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…

The great and final act of Krzysztof Kieslowski’s remarkable career was the production of a trilogy called Three Colors—Blue, White, and Red—that represents the colors of the French flag, and the values they represent: liberty, equality and fraternity. Filmed in three countries (France, Poland, Switzerland), their plots overlap only slightly. Watch closely, and you’ll see the different…

“What is the true meaning of life?” Polish director Krzysztof Kieslowski has asked. “Why get up in the morning? Politics doesn’t answer that.” The Decalogue, Kieslowski’s extraordinary, challenging collection of ten one-hour films made for Polish television in the dying days of the Soviet Union, doesn’t answer Kieslowski’s questions either. What it does is pose them…

“Recently, I’ve had the weirdest dreams,” says the aged physician Isak to his daughter-in-law Marianne. His confession is an understatement. Isak’s dreams create the crises and categories for a film about legacy and death. Beginning with a Dali-esque vision—Gunnar Fischer’s magnificently shot chiaroscuro sequence for people who think David Lynch is too normal—and through flashback…