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    In The Phantom Carriage, director Victor Sjöström plays David Holm, a heartless unrepentant rascal who receives two summons one New Year’s midnight. The first is from a dying nun who showed him the most undeserved act of mercy he ever received; the second is from the phantom who drives Death’s titular carriage. As the film shows…

  • Faust

    A useful starting point when approaching Friedrich Wilhelm (F. W.) Murnau’s Faust is Rembrandt’s 1652 etching of the same name. In it, we see Faust alone in his library, poring through parchments, surrounded on all sides by scientific paraphernalia. But Rembrandt pays little attention to the things in the room and, instead, directs our focus toward Faust’s desperate…

  • Rashômon

    Taking shelter from a torrential rainstorm in a demon-haunted temple, two men struggle to comprehend the story of a murder. They have witnessed crimes before, but something about this one has left them shell-shocked. One of them laments, “This time, I may finally lose my faith in the human soul.”   What follows in Akira Kurosawa’s Rashomon is…

  • Ponette

    Victoire Thivisol was four years old when she played Ponette, a girl struggling to understand her mother’s death in a car accident. The range and depth of emotion she displays makes me a little worried about what director Jacques Doillon did to coax the performance out of her. Thivisol became the youngest actress to win…

  • Embrace of the Serpent

    The third feature by Colombian director Ciro Guerra, Embrace of the Serpent calls to mind Roland Joffe’s The Mission, with its story of colonial exploitation of South American tribes.  Its brink of insanity, hallucinatory vividness is reminiscent of Werner Herzog’s Fitzcarraldo and Aguirre, the Wrath of God. But Embrace of the Serpent is marvelous on its own terms.  Loosely inspired by the journals…