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    The most famous line in The Red Shoes is probably an early exchange between Boris Lermontov (Anton Walbrook) and Victoria Page (Moira Shearer). The director of a prestigious ballet company asks the aspiring ballerina why she wants to dance. Her reply: “Why do you want to live?” The answer impresses Lermontov enough to earn her a small…

  • The Grand Illusion

    As we discuss what makes a film spiritually significant, the concepts of truth and beauty are often at the center of our conversations. Jean Renoir’s Grand Illusion is not just a film that presents truth and beauty; it is about truth and beauty. The film appears to argue that truth is absolute but so complex that it…

  • The New World

    Terrence Malick’s 2005 epic poem about the European settlement of Jamestown, the ensuing battles with furious natives, and a legendary cross-cultural love affair depicts the dangers of ambition and the necessity of conscience. With the help of cinematographer Emmanuel Lubezki (Children of Men), Malick captures a sense of the unspoiled beauty that once welcomed pilgrims…

  • Won’t You Be My Neighbor?

    It seems hardly coincidental that two films on the life of children’s television host and ordained Presbyterian minister Fred Rogers were released in as many years.  A Beautiful Day in the Neighborhood (2019), a feature starring Tom Hanks and directed by Marielle Heller, was nominated for the Top 100 but didn’t make the cut.  Morgan Neville’s 2018 documentary, Won’t…

  • A Man Escaped

    In her essay “Spiritual Style in the Films of Robert Bresson,” Susan Sontag argues that “All of Bresson’s films have a common theme: the meaning of confinement and liberty.” A Man Escaped develops this theme more explicitly than in any other of his works, making it the best entry point into Bresson’s oeuvre.  The film details the…

  • Cave of Forgotten Dreams

    On a Top 100 list that threatens top-heaviness with clergy, saints, and organized religion, Cave of Forgotten Dreams is a welcome outlier.  Its writer/director, Werner Herzog, professes no interest in God or religion, except as a subject for cultural exploration, a manifestation of our humanity. Yet his films, across a career spanning almost 60 years, are suffused with…