7th Heaven

7th Heaven

Director Frank Borzage first transports us to a dark, ugly, seedy world of poverty and inequality in Paris. The pre-code masterpiece deals with the later-taboo topics of abuse, prostitution and atheism. The Hayes’ Code was designed to present and protect “moral decency” on film. But by showing some of the realities of life that the Hayes’ Code prohibited, 7th Heaven provides a beautiful picture of what moral decency can actually be.

Chico calls himself an atheist in one breath but blames God for his troubles in the next. He is arrogant, angry because “Bon Dieu” doesn’t give him everything he thinks he deserves, constantly reminding God that he’s a “very remarkable person.” But out of that arrogance, Chico asks the biggest question that all people people of faith struggle with, even though he doesn’t always consider himself to be a person of faith. By addressing God as “Bon Dieu,” he claims that God is good and asks the age-old-question: How can a good God let bad things happen to good people?

The movie never attempts to answer that question. Instead, it shows us how different people wrestle with the predicament in very different ways and how they grow more by asking the question than by any attempt to answer it. We see the struggle through the eyes of several characters. The story’s most important way of asking this question comes in the form of a romance. Chico is not as remarkable as he tells everyone he is, but he does do one remarkable thing. He rescues Diane, his eventual wife, from her abusive sister and from a situation that would have forced her into prostitution. The rest of the movie shows how Diane continually rescues Chico as they struggle with that spiritual question collectively and pursue their “7th heaven,” which is the ideal of God’s goodness reflected in the love of people for each other.

– Ed Bertram

  1. Directed by: Frank Borzage
  2. Produced by: William Fox Sol M. Wurtzel
  3. Written by: Austin Strong Benjamin Glazer Katherine Hilliker H. H. Caldwell Bernard Vorhaus
  4. Music by: William P. Perry Erno Rapee
  5. Cinematography by: Ernest Palmer Joseph A. Valentine
  6. Editing by:Barney Wolf
  7. Release Date: 1927
  8. Running Time: 110
  9. Language: Silent

Arts & Faith Lists:

2020 Top 100 — #83

Similar Posts

  • Silent Light

    “All creation groans” in the unforgettable, long shots that open and close Carlos Reygadas’ remarkable film. It’s hard to believe this movie was released in 2008—it has a quality that will make it a major event for film students for many decades to come.   It’s set in a Mexican community of Old Order Mennonites, where…

  • Magnolia

    “This was not just a matter of chance,” the narrator of Magnolia tells us, and so begins an odyssey of coincidence, absurdity, failure, and redemption. A television producer lies dying, his memory failing, crying out for his estranged son. A cable-TV pseudo-celebrity, renowned for his seminars on how to successfully seduce women, finds himself confronted by the…

  • Stroszek

    Eva: “No-one kicks you here, Bruno.”  Bruno Stroszek: “Not physically, here they do it spiritually.”  Stroszek is a film riddled with misfits. Its title character, the musician Bruno Stroszek, is the quintessential misfit. Director Werner Herzog sets him against characters more comfortable in their social roles and identities.   Bruno is an outcast wherever he lives,…

  • Uncle Boonmee Who Can Recall His Past Lives

    From the start of his feature debut, 2000’s shaggy-dog tale documentary, Mysterious Object at Noon, where the truck-mounted loudspeaker advertisement urges the public to use a particular brand of incense “whenever you want to worship the Buddha…”, the films of Apichatpong Weerasethakul (or Joe, to call him by his nickname as is customary among Thai people)…

  • Schindler’s List

    Provoking intense responses both from admirers and detractors, Schindler’s List is the story of a Nazi, Oskar Schindler, who saved more than 1,000 Jews from death. The relationship of mutual gratitude between Schindler and the people he saves is the irreducible element that sets Schindler’s List apart from other chronicles of the Holocaust. Schindler saves the Jews…

  • Close-Up

    In Close-Up, Abbas Kiarostami retells the true story of the trial of Hossein Sabzian who fraudulently convinced a family that he was the famous film director, Mohsen Makhmalbaf. The entire incident comes about in a seemingly innocent way; however, the moral struggle surrounding the deception involves a complex wrestling with themes of identity, belonging, forgiveness and repentance.  Sabzian is arrested, imprisoned,…