Ushpizin

Ushpizin

This Israeli-made film, the first collaborative effort between Israel’s religious and secular communities, is a small gem of a film. This film takes us into a world we haven’t seen before on film, inside an Orthodox Jewish neighborhood in Jerusalem.  
Here a married couple, Moshe and Mali, are preparing for the Jewish harvest holiday of Succoth. However, though they are religiously devout and devoted to each other, they are impoverished and in need of some miracles. First, they need money to purchase a “sukkot,” which is a temporary dwelling place in which tradition dictates that Jews are to live during the Succoth holiday, in order to learn to depend on God’s provision. Then, they are to receive guests (ushpizin) to practice the charity of hospitality, but this couple has no one to share their sukkot with. Finally, they are praying for the miracle of a child.

Then, their prayers begin to be answered: Moshe is given an unexpected monetary gift, a friend gives Moshe a sukkot that he claims has been abandoned, and two visitors arrive out of the blue, one of them an old friend of Moshe. But what Moshe and his wife see as blessing, quickly turns into trials: the circumstances under which he received the sukkot are called into question, and the visitors, unbeknownst to Moshe or his wife, are actually escaped convicts. These uzpishin test Moshe’s memories of his pre-religious past, his patience, his marriage, his relationships with his strictly religious neighbors, and his faith itself. Finally Moshe is forced to cry out to God, and God answers in an unexpected way.

The film does an excellent job of portraying the beauty of the Jewish faith: the kind support of rabbis, the strength of religious devotion, and the wonders of a shared meal; while it doesn’t shy away from portraying the issues of living in a closed isolated community. The film shows the mysteries of grace: unexpected favor to those who don’t deserve it. And when you least expect it, miracles can occur as well. 

—Jim Sanders (2011)

  1. Directed by: Giddi Dar
  2. Produced by: Giddi Dar Rafi Bukai
  3. Written by: Shuli Rand
  4. Music by: NathanielMechaly
  5. Cinematography by: Amit Yasur
  6. Editing by: Nadav Harel Isaac Sehayek
  7. Release Date: 2004
  8. Running Time: 90
  9. Language: Hebrew, Yiddish

Arts & Faith Lists:

2010 Top 100 — #89

2020 Top 100 — #88

Similar Posts

  • Beau Travail

    What is the relationship between military duty and human emotion? Clare Denis explores this dichotomy in her film Beau Travail, an adaption of the Herman Melville’s novel Billy Budd transported to post-colonial Africa.  Beau Travail tells the story of Galoup, an officer leading a troop of the French Foreign Legion in Djibouti, East Africa. He is a career military…

  • Selma

    “Three hundred years of humiliation, abuse and deprivation cannot be expected to find voice in a whisper. The storm clouds did not release a ‘gentle rain from heaven,’ but a whirlwind, which has not yet spent its force or attained its full momentum.” – Martin Luther King, Jr. Selma, Alabama, March 1965 was part of the…

  • Dead Man Walking

    Appreciation coming.  Directed by: Tim Robbins Produced by: Jon Kilik Tim Robbins Rudd Simmons Written by: Helen Prejean Tim Robbins Music by: David Robbins Cinematography by: Roger Deakins Editing by: Lisa Zeno Churgin Ray Hubley Release Date: 1995 Running Time: 122 Language: English Arts & Faith Lists: 2005 Top 100 — #15 2006 Top 100…

  • Munyurangabo

    We’ve seen some powerful, horrifying films about the war in Rwanda. But we’ve never seen anything like this—a film made with the help of Rwandans, informed by their own experiences, and performed in their own language. Sangwa’s a prodigal son of the Hutu. He’s come back to the family farm after three years in the…

  • M

    Fritz Lang and Peter Lorre accomplish a remarkable feat in M (1931). They humanize child murderer Hans Beckert. Suspenseful, drenched in tragedy, M brings the audience through Beckert’s harrowing final days as he evades both police and the criminal underground. Beckert’s frantic efforts to escape the tightening noose echo his attempts to overcome his compulsion. A scratched and worn…