Top 100 Lists

  • Selma

    “Three hundred years of humiliation, abuse and deprivation cannot be expected to find voice in a whisper. The storm clouds did not release a ‘gentle rain from heaven,’ but a whirlwind, which has not yet spent its force or attained its full momentum.” – Martin Luther King, Jr. Selma, Alabama, March 1965 was part of the…

  • The Immigrant

    In a nod to the social realism of American cinema in the late silent era, The Immigrant is an operatic take on a city full of charlatans, pimps, and immigrants. Its citizens are larger than life and drawn as broadly as a sepia photograph in fading newsprint. But like Bruno and Ewa, they are carving out a…

  • The Work

    There is a moment in The Work when a man utters a sound that I’ve never heard emerge from another human being. It is a cry of both anguish and relief, as if a levee has broken after a lifetime of repressed emotions, and the flood waters are finally free. It is the crack of a soul…

  • Ushpizin

    This Israeli-made film, the first collaborative effort between Israel’s religious and secular communities, is a small gem of a film. This film takes us into a world we haven’t seen before on film, inside an Orthodox Jewish neighborhood in Jerusalem.  Here a married couple, Moshe and Mali, are preparing for the Jewish harvest holiday of…

  • Schindler’s List

    Provoking intense responses both from admirers and detractors, Schindler’s List is the story of a Nazi, Oskar Schindler, who saved more than 1,000 Jews from death. The relationship of mutual gratitude between Schindler and the people he saves is the irreducible element that sets Schindler’s List apart from other chronicles of the Holocaust. Schindler saves the Jews…

  • The Phantom Carriage

    In The Phantom Carriage, director Victor Sjöström plays David Holm, a heartless unrepentant rascal who receives two summons one New Year’s midnight. The first is from a dying nun who showed him the most undeserved act of mercy he ever received; the second is from the phantom who drives Death’s titular carriage. As the film shows…

  • On the Waterfront

    When we first see the priest, he is leaning over a grieving woman.  He is reading the Bible to her and praying for her.  He is doing his duty.  Father Barry has just arrived after longshoreman Joey Doyle was pushed to his death from the top of a tall building.  Edie is the woman who is in shreds on…

  • Silent Light

    “All creation groans” in the unforgettable, long shots that open and close Carlos Reygadas’ remarkable film. It’s hard to believe this movie was released in 2008—it has a quality that will make it a major event for film students for many decades to come.   It’s set in a Mexican community of Old Order Mennonites, where…

  • 7th Heaven

    Director Frank Borzage first transports us to a dark, ugly, seedy world of poverty and inequality in Paris. The pre-code masterpiece deals with the later-taboo topics of abuse, prostitution and atheism. The Hayes’ Code was designed to present and protect “moral decency” on film. But by showing some of the realities of life that the…