Appreciation coming from Darren Hughes.
Arts & Faith Lists:
2020 Top 100 — #43
John Ford’s 1956 Western, The Searchers, ends with the camera framing a doorway, looking out into the gloriously filmed desert. As his remaining friends and family cross over the threshold into the welcoming house, John Wayne’s Ethan Edwards stays outside, watching them. Then he pauses a moment, turns, and walks off into the red dust. There’s…
— Review Coming Directed by: Joshua Oppenheimer Anonymous Christine Cynn Produced by: Anne Köhncke Signe Byrge Sørensen Michael Uwemedimo Written by: Music by: Cinematography by: Anonymous Carlos Arango de Montis Lars Skree Editing by: Release Date: 2012 Running Time: 117 Language: Indonesian, English Arts & Faith Lists: 2020 Top 100 — #73
A romantic triangle is one of the most common storylines in film. The characters are usually pretty well defined: a well meaning guy with a raging libido, a gorgeous woman with loose morals, and a sweet sensible girl pining for a husband. And of course, there is sex. But what if a film replaces this…
If, as they say, writing about music is like dancing about architecture, then how does one describe a film like Koyaanisqatsi (1983), which has no actors, no dialogue, and no plot, but consists instead of nothing but music and images (some of which, incidentally, do happen to revolve around architecture)? Well, we can begin by looking at…
Federico Fellini’s Nights of Cabiria (1957) transcends the well-worn cliche of the golden-hearted prostitute. The film stars Fellini’s wife and constant collaborator, Giuletta Masina, as a woman named Maria Ceccarelli but known to everyone in her social strata as Cabiria. Cabiria was pushed into prostitution by her destitute mother when she was young and beautiful, and her…
With a rigorous style that is often off-putting to newcomers, Bresson eschews the usual emotional cues we’ve become conditioned to expect at the movies. His editing is, above all, efficient—refusing to emphasize one moment over another. We’re forced to pay fierce attention and draw our own conclusions about which words and gestures were important. But…